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...crafted one of the most enjoyable albums of the summer. The Hold Steady have built up and filled out their sound with varying levels of success. “Sequestered in Memphis” thrives on fuzzed-out guitar and stuttering horns, and “Slapped Actress?? succeeds through the dichotomy of delicate piano and a massive guitar line. In contrast, “Navy Sheets” suffers under the weight of up-front New Wave keyboards and “Both Crosses” sounds out of place with its theremin accents and banjo outro...

Author: By Jeffrey W. Feldman, CRIMSON STAFF WRITER | Title: The Hold Steady | 9/19/2008 | See Source »

...ideas. “Bring your pear,” she tells one actress who is in the middle of a snack, encouraging her to use it to convey attitude. And when asked about one character’s reaction to another, she was willing to accept an actress??s suggestion: “Yes, ‘crazy asshole’ is awesome.”But after callbacks, Spillane-Hinks is forced to take a difficult step back and allow the actors to take control.ACT THREEOnce directors have posted cast lists, they can only anxiously wait...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: Aoife Spillane-HInks | 2/23/2006 | See Source »

Hudson isn’t a bad actress??we’ll leave that to “Jill the Thrill”—but she does little to transcend the trite. In this film, acting deftness seems to increase with age. Rowlands as Violet Devereaux, the overbearing wife, is convincingly crazy and generally splendid. Hurt may not have many lines as the stroke-burdened husband, Ben Devereaux, but his haunting stare and stark showing of sickness are the scariest parts of the early minutes...

Author: By Margaret M. Rossman, CRIMSON STAFF WRITER | Title: ‘Key’ Fails to Lock Audience | 8/12/2005 | See Source »

...face, connected to a real person, possesses an infallible being. Who can say with any conviction that audiences will ever get in line for a digital actress??a starlet built of code that can’t attend movie premieres or David Letterman? We may hide Batman behind a mask, but we know its George Clooney’s amazing chin we really love...

Author: By Clint J. Froehlich, CRIMSON STAFF WRITER | Title: Cinema at the Century's Dawn | 4/22/2005 | See Source »

...Crimson assailed the title actress, calling her “eminently unbelievable ... recklessly artificial and horribly overplanned.” The review sparked a controversy in the Harvard theater world, leading Ursula G. DeYoung ’04 to write a long letter to the editor defending the actress??s performance and calling the play “a brilliant confirmation of Mike Donahue’s genius...

Author: By Nina M. Catalano, CONTRIBUTING WRITER | Title: The Director | 10/7/2004 | See Source »

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