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...rare occasion when the adjective “reptilian” can be meant as the deepest of compliment. Therefore, we must accord Ripley’s Game the proper admiration for allowing John Malkovich—the most sophisticated yet reptilian actor of our time—to portray Tom Ripley—the most sophisticated yet reptilian character of literature—and create the most reptilian sophisticate in cinema history...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: DVD Review: Ripley's Game | 4/16/2004 | See Source »

Nowhere was the downside of high definition more apparent than at the Academy Awards in February, when the few viewers with HDTV caught Hollywood's biggest stars working the red carpet. By some accounts, actor-producer Michael Douglas, 59, ruggedly handsome on film, became downright old, especially next to his high-def-defying spouse Catherine Zeta-Jones, 34. Even the thirtysomethings had their problems. Renee Zellweger's lightly blotchy red face showed through her makeup. And gorgeous fashion model turned actress Uma Thurman took a hit: the blush on those high cheekbones looked exaggerated and clownlike...

Author: /time Magazine | Title: For TV Stars, High Def Is Dicey | 4/12/2004 | See Source »

...middle-aged actors, who aren't supposed to look that way, the battle is constant. On the set of NBC's sitcom Happy Family, makeup artist Patty Bunch continuously applies light moisturizers with anti-shine creams to actress Christine Baranski's face and lights the area around her eyes to make sure they don't look too deep-set. The series' hair stylist had to darken veteran actor John Larroquette's graying hair because it was glaring white in high definition before a lighting solution was found...

Author: /time Magazine | Title: For TV Stars, High Def Is Dicey | 4/12/2004 | See Source »

Incarnating amiability with an undercoat of evil can be a benison to an actor. Unfortunately for them, Dogville's old pros (including Lauren Bacall, Ben Gazzara, Harriet Andersson, John Hurt, Stellan Skarsgaard, Patricia Clarkson and Blair Brown) have only attitudes, not characters, to play, and these are as flat as the lines on the floor. It's not a pretty sight: gifted actors with big ambitions and nothing purposeful to do. Only two things keep one's eyes on the screen: the spectacle of the gorgeous Kidman soldiering on as Grace's regality is defiled, and the suspicion that this...

Author: /time Magazine | Title: Movies: Empty Set, Plot to Match | 4/12/2004 | See Source »

...comic invention. With gifts too wide-ranging to be contained in one art form, he wrote hit plays (Romanoff and Juliet) and books of nonfiction and short stories. He could be an excellent film director (Billy Budd) and a serious Shakespearean (King Lear at Stratford, Ont.). He won Supporting Actor Oscars for Spartacus and Topkapi, and earned his greatest movie renown as Agatha Christie's Hercule Poirot, as in the film of Death on the Nile. His spirit was essentially impish (as on a comedy album for which he provided all the voices and sound effects); his greatest role...

Author: /time Magazine | Title: Peter Ustinov | 4/12/2004 | See Source »

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