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Despite these cinematic “crap-tacular” forays, Richard Gere is a worthy recipient of the Pudding Pot. Not since he swept Debra Winger off her feet (literally), has an actor made us realize that love, indeed, lifts us up where we belong...

Author: By Jessica C. Coggins, CRIMSON STAFF WRITER | Title: Bad Roles from Gere to Eternity | 2/23/2006 | See Source »

...were the first House play to make a significant profit. We made $900, which is sort of really unheard-of.”Unheard-of, indeed—especially given that it was the first show he’d ever directed, and the first show many of the actors had ever done. But Hanley thinks inexperience, far from an impediment, can make a show into a sleeper hit.“’Picasso’ was an underdog success,” he says. “I think the most significant part of it is that...

Author: By Mary A. Brazelton, CRIMSON STAFF WRITER | Title: Chris N. Hanley | 2/23/2006 | See Source »

...Adagio. Amanda Forsythe, soprano, will sing “Misera, dove son!,” KV369 with her silvery tone. Forsythe, who recently made her recital debut in New York, is a winner of the George London Foundation Awards and the Walter W. Naumberg Foundation Award, among others. Finally, actor Jess R. Burkle ’06 will regale audience members with tales and letters from Mozart’s life. And of course, the celebration would not be complete without a party and a birthday cake, which will be served along with fruit and other delicious desserts. Make sure...

Author: By Anna F. Bonnell-freidin, CONTRIBUTING WRITER | Title: 'Mozart 250th Anniversary Celebration' | 2/23/2006 | See Source »

Spillane-Hinks recognizes that, "we’re both auditioning for each other." She compares the interactions between actor and director to a choreographed routine: "The objective of the scene is to say, ‘We are responsible, we are focused, we are good people...

Author: By Mary A. Brazelton, Patrick R. Chesnut, Lindsay A. Maizel, and Natalie I. Sherman, CRIMSON STAFF WRITERS | Title: Stage Bound | 2/23/2006 | See Source »

Spillane-Hinks compares it to the college admissions process. She isn’t looking for something specific or for a reason to mark an actor down, only for the positives they bring. What matters to her most is the actor’s ability to react and change...

Author: By Mary A. Brazelton, Patrick R. Chesnut, Lindsay A. Maizel, and Natalie I. Sherman, CRIMSON STAFF WRITERS | Title: Stage Bound | 2/23/2006 | See Source »

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