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Word: abstractionism (lookup in dictionary) (lookup stats)
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It is not, to put it mildly, a bit of a bore. For Freud, despite his quota of failed pictures (failed, however, by standards to which most living artists don't aspire), is the best realist painter alive. To watch the development of his work -- even in the abbreviated form...

Author: /time Magazine | Title: The Fat Lady Sings | 12/27/1993 | See Source »

Edmund White was born in Cincinnati in 1940. After a childhood spent "painting and dancing and singing and generally being a nuisance," he decided to become a writer. His literary hero was Russian-born novelist Vladimir Nabokov, who, after reading White's first two books, proclaimed him his favorite American...

Author: NO WRITER ATTRIBUTED | Title: Genet, AIDS and Mrs. Nabokov | 12/2/1993 | See Source »

Understanding, mental health care and socio-economic support are so pitifully inadequate in part because few patients or families want to speak openly, facing social stigma and becoming objects of popular prejudice. Yet few others are in a position to understand or care enough to help the situation. It is...

Author: By John Duvivier, | Title: Depression: A Personal Account | 11/23/1993 | See Source »

Lawrence called his style "dynamic Cubism," but although its debt to late Cubism is obvious -- the flat, sharp overlaps of form, legible silhouettes and generally high degree of abstraction in the color -- it isn't notably dynamic; ^ it tends to an Egyptian stillness, friezelike even when you know the subject...

Author: /time Magazine | Title: Stanzas From a Black Epic | 11/22/1993 | See Source »

"Death in Venice" is an excellent opportunity to experience Thomas Mann's work, because the film converts the literary description of nature, people and their psychological states into vivid tableaus. The movie is, however, very slow-moving. The characters' contemplative natures make this a heavy film, which is only alleviated...

Author: By Deborah E. Kopald, | Title: A Fatal Attraction | 11/11/1993 | See Source »

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