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...through the eight-day trial, Chemist Abe Brothman and his coconspirator, Miriam Moskowitz, sat mute and unblinking as dummies in a waxworks. They flatly refused to testify in their own defense, even after Soviet Spy Harry Gold took the stand to testify that Brothman had passed scores of defense blueprints to him, and that Brothman and his assistant, Miss Moskowitz, had gleefully helped Gold concoct a phony story for a 1947 grand jury investigation (TIME, Nov. 27). Last week in Manhattan district court, a federal jury found the two guilty of obstructing the U.S. Government's investigation of espionage...

Author: /time Magazine | Title: THE JUDICIARY: Guilty | 12/4/1950 | See Source »

Guys and Dolls (music & lyrics by Frank Loesser; book by Jo Swerling & Abe Burrows; produced by Feuer & Martin) whizzes through the whole first act hardly once having to stop for a light. If the second act slows thing's up a bit, Guys and Dolls emerges a thoroughly good, lively, lowdown musical. Using fleece-lined tough material of Damon Runyon's, it takes a full-in-the-face but indulgent view of Broadway's cop-fleeing dice players and their dolls. What results, if not always authentic, is raffish and picturesque, and though it seems ground...

Author: /time Magazine | Title: The Theater: New Musical in Manhattan, Dec. 4, 1950 | 12/4/1950 | See Source »

...going is really smooth and the atmosphere really lively because Guys and Dolls belongs with the few musicals in any decade that can beam rather than swear at their librettos. Helped immensely at the source by Damon Runyon and in the staging by George S. Kaufman, the Jo Swerling-Abe Burrows book offers gags that don't seem like pressed four-leaf clovers, a lingo full of amusing genteelisms, humor that is disarming, good humor that is pervasive. Guys and Dolls would be virtually a model of its type if it were less insistent, or more convincing, about love...

Author: /time Magazine | Title: The Theater: New Musical in Manhattan, Dec. 4, 1950 | 12/4/1950 | See Source »

...next three years, Abe Brothman fed the apparatus with blueprints and drawings of such top defense projects as high-octane gasoline manufacture, turbine-type airplane engines and chemical handling equipment. The Russians had set up such a good photographic laboratory in the offices of Arntorg, the Soviet trading agency, that Gold could have papers photographed and returned to Brothman within two hours...

Author: /time Magazine | Title: COMMUNISTS: Man on the Fringe | 11/27/1950 | See Source »

Wonderful Experience. Abe's biggest coup, Gold went on, was delivery of a suitcase full of notes and "between 25 and 50" blueprints on the manufacture of synthetic Buna-S rubber. This, the jubilant Russians told him, was worth "two or three brigades of men." Later, when Abe grumbled that his work for the U.S.S.R. was not appreciated, Gold introduced him to the chief Russian spy. His name: Semen Semenov. Spy Semenov's cover-up was a job with Amtorg in New York but Gold told Brothman that the Russian had come directly from the U.S.S.R. to thank...

Author: /time Magazine | Title: COMMUNISTS: Man on the Fringe | 11/27/1950 | See Source »

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