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Perhaps in the aftermath of Cuba, as the hard truth about the conduct of foreign affairs in this world is squarely faced, American radicalism might re-discover a traditional but recently neglected area of concern. This is not to say radicals should abandon their role as public critics in the field of foreign policy; but it is to say their talents, both as chastisers of the established and creators of the new, are also needed elsewhere

Author: By Steven V. Roberts, | Title: Schlesinger and Hughes: Observations On Left Politics | 2/26/1963 | See Source »

...know fiber bundles or Spanish verbs are the greatest joy without having tried anything else). But if you think experience offers a plurality of joys, if you have interests extending beyond formal education which you have done nothing to satisfy, then be assured: breadth does not equal academic abandon. If, on the other hand, the straightaway path to a graduate or professional degree is the only thing that interests you, then know this: some detours have prettier scenery...

Author: NO WRITER ATTRIBUTED | Title: The Elliptical Man | 2/18/1963 | See Source »

Oddly, the British, who have found it hard to abandon their other ties and their ancient insularity, took great umbrage at De Gaulle's questioning of their European sincerity. Said Tory Party Chairman Iain Macleod: "We do not accept any curt dismissal from the European stage. The days when we might retire into proud isolation from the Continent are finished, and Britain is irrevocably part of Europe and the Western Alliance...

Author: /time Magazine | Title: Europe: A New & Obscure Destination | 2/8/1963 | See Source »

...story centers on Reuben (Bruce Ritchey), whose parents (Gena Rowlands and Steven Hill) self-indulgently refuse for more than five years to admit that they have produced a moron, and then resentfully abandon him in a state school. Crushed by this rejection, Reuben vaguely longs for the parents who let him be a baby and specifically hates the psychologist-headmaster (Burt Lancaster) who demands that he grow up. One day a new teacher comes to the school, an amiable but muddled musician (Judy Garland) who represents the common confusions of feeling about defective children. At first she feels revulsion, then...

Author: /time Magazine | Title: Cinema: Love Is Not Enough | 2/8/1963 | See Source »

Legend has it that the Japanese won their homeland in a sumo match between a Shinto god named Takemikazuchi and a local aborigine. In the good old days, 2,000 years ago, wrestlers fought to the death, cracking skulls and stomping ribs with ferocious abandon. Today's sumo heroes have a more limited objective-only to knock an opponent off his feet or force him outside a 15-ft. ring...

Author: /time Magazine | Title: Sport: The Giant Bird | 2/8/1963 | See Source »

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