Word: 80s
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...young urban professionals are coming into their own. They are part of the famous baby-boom generation that is destined to be a cultural force at every stage of its life. The boomers gave the '60s much of its character, and now are doing the same thing in the '80s. In the meantime, of course, they have changed. Says Gordon Rayfield, 34, a New Yorker who is a foreign-affairs analyst for a multinational firm: "In the '60s, we felt like this wasn't our country. It was taken over by bad people. Now we realize that...
Navy Secretary John Lehman disclosed last month that the Navy had evidence that during the 1970s and early '80s Rickover received gifts worth "tens of thousands" of dollars, not only from General Dynamics but also from General Electric, Westinghouse and Newport News Shipbuilding & Dry-dock Co., all big Navy contractors. Among the presents: a $695 pair of diamond earrings mounted on 18-karat gold and a $430 jade necklace. Rickover says those baubles went to his wife, but that he passed most of the other "trinkets"-gold pendants, desk sets, ship models-on to Congressmen and then wives...
...through the time barrier to confront his own past and a new race's future. The film was about quests, not answers, and at its conclusion an air of benign befuddlement lingered over its hipper audiences like a corona of reefer smoke. Now, in the quick-solution '80s, comes 2010, a sequel whose sole purpose is to explain the ending of its predecessor. Working from Arthur C. Clarke's novel, Writer-Director Peter Hyams lets his movie waltz in place for an hour or so before enlisting the surviving members of the original cast (Keir Dullea...
...that manages to be much more effective and powerful than a 28-year-old musing on being and nothingness. The subway cars, the flickering overhead light, the crumbling walls and ceiling--they are all part of this, the post-industrial age. The set may be a product of the '80s, but it is as true to Beckett as he was to himself 30 years...
...took 14 years to prepare. Not a minute was wasted. The French master's parabola is traced from early still lifes of glowing Oriental rooms and odalisques to the shimmering, heated imagery of dancers, to the paper cutouts and stained-glass windows executed when he was in his 80s. Pierre Schneider's text echoes Matisse's advice to his students: "Retain only what cannot be seen." What was invisible to the audience, the artist represented. What was unknown, his biographer-scholar has revealed...