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Unitedbank's fall resulted from the go-go style of Chairman Vincent Kickerillo, a local land developer. Taking over in 1968, Kickerillo overcommitted the bank to real estate loans and investments in other banks during the oil boom of the late '70s and early '80s. When the economy soured in 1982, so did Unitedbank. By this year it was losing $1 million a month. For a time Kickerillo, a self-made millionaire who commuted to work in a jet helicopter, covered the losses himself. But after an audit three weeks ago showed Unitedbank to be $7 million...

Author: /time Magazine | Title: Nobody Thought It Would Be Us | 5/11/1987 | See Source »

...City was not only the boldest political anthem of the '80s, it was also the funkiest. Besides writing the song, Van Zandt was the main man behind the album, the video and the documentary about Sun City, which brought hard rock together with hard facts about South African politics. Freedom -- No Compromise continues that same tough tradition of humanist ideology and high steppin'. "The trickiest part is not to be rhetorical," Van Zandt says, "but to make the songs into an emotional, human communication...

Author: /time Magazine | Title: Music: That Road Is All Mine | 5/11/1987 | See Source »

...again. Its significance as an event lies in the fact that it is still the only large survey of current American art regularly held by a U.S. museum, namely the Whitney Museum of American Art in New York City. Hence, given the absurdly overcrowded art world of the late '80s, with thousands of artists, dealers and collectors jostling for visibility (the Whitney's curators guess at an American artist population of more than 200,000, but this figure may be low), the show excites much the same passions as the salon exhibitions of the late 19th century...

Author: /time Magazine | Title: Art: Navigating A Cultural Trough | 5/11/1987 | See Source »

...scene cools and contracts. The show records a long-due disenchantment with the lumpy rhetoric of neoexpressionism, the hot ticket of the early '80s. The American confusion between size and scale remains. There may be a lesson in the fact that Richard Tuttle's three tiny, delectable pieces made of painted cardboard, scraps of wood and bits of twisted wire "carry" every bit as sharply as Judy Pfaff's enormous mural, which looks like a vastly inflated Frank Stella made of patio furniture. But at least the stage props of Deep Authenticity are less wearisomely apparent in this show than...

Author: /time Magazine | Title: Art: Navigating A Cultural Trough | 5/11/1987 | See Source »

...single carnation. "It's nice to be treated like a woman," sighs Susan Arcidiacono with pleasure. A ritzy health club? An elegant hair salon? Not at all. The swanky suburban San Diego setup belongs to Women's Health Centers of America and is a model of a hot '80s health-care fashion: the women's clinic...

Author: /time Magazine | Title: Health & Fitness: Total Care at the Ms. Mayo Clinics | 5/4/1987 | See Source »

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