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HENRY V. Kenneth Branagh, 28, is the Olivier wanna-be of the '80s. In this version, keenly faithful to the famous 1944 film, the actor-director stakes his boldest claim yet to Lord Larry's title. The elite cast -- a veritable Burke's Peerage of British acting -- makes it a royal, enjoyable feast...

Author: /time Magazine | Title: Critics' Voices: Nov. 20, 1989 | 11/20/1989 | See Source »

...their parents skyrocket (at-least-passionate), who watched AIDS claim the lives of thousands (at-least-passionate), who came to view successful marriages as the exception to the rule, who came to understand that, for their parents' generation, passion and durability were a trade-off--the youth of the '80s are "at-least-surviving." Before I engage in a generalization as broad as Professor Blumenthal's, let me stress that the one-night stand still exists, that many or most look with admiration on those who have managed to balance school and love and those who plan to marry...

Author: NO WRITER ATTRIBUTED | Title: Refusing the 'Base Compromise' | 11/14/1989 | See Source »

...public has elected me as a new late-night talk-show host," he says enthusiastically. "I've worked all my life preparing for it, putting together a platform -- my kind of guests, my kind of music, what I think is funny. I've been warming up in the '80s, but I'm really for the '90s. I'm the talk-show host for the MTV generation...

Author: /time Magazine | Title: Video: Let's Get Busy!! | 11/13/1989 | See Source »

...Letterman), Hall has returned the genre to its original raison d'etre: old-fashioned, unapologetic stargazing. His innovation has been to set the show-biz plugs to a bracing rock beat. And if you prefer a little more substance with your MTV flash, boy, are you stuck in the '80s...

Author: /time Magazine | Title: Video: Let's Get Busy!! | 11/13/1989 | See Source »

...hands, has a thriving career as a book editor and a cozy home life with a physician. They amount to a before-and-after picture of homosexuals in the age of liberation. The campy one, very '50s, is witty but a self-denigrating cartoon; his friend, very '80s, acts relaxed even when disclosing that his relationship is turning into an "open" one. The twist in Terrence McNally's midnight-dark comedy, which opened off-Broadway last week, is that the seemingly enviable, self- possessed character lacks the emotional resources to deal with the breakup of a relationship...

Author: /time Magazine | Title: Theater: Downbeat Duo | 11/13/1989 | See Source »

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