Word: 80s
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Until the mid-'80s, the root cause of East-West tension -- the repressive, predatory nature of Soviet communism -- was nonnegotiable. The old men in the Kremlin refused to brook "interference in the internal affairs of the U.S.S.R.," and they would not accept meaningful constraints on Soviet international behavior. That left little to talk about, except how many warheads should be allowed to dance on the head of an intercontinental ballistic missile...
...anticipated Eric Fischl's anxious, naked suburbanites. Much of the vigorous Bay Area brushwork was reflected, more than a quarter-century later, in paint- happy neoexpressionism. Despite some occasional heavy-handedness, though, the works displayed in this show are far more engaging than their irony-loaded grandchildren of the '80s...
Jong's best seller Fear of Flying (1973) became an emblem for the sexual revolution and women's liberation. With Any Woman's Blues, Jong is trying to put her mark on the '80s, when safe sex replaced free love and materialism, and addiction treatment became the ruling ethos. With no irony intended, she creates as her heroine a sex addict who goes to A.A. meetings, a free-spirited artist who uses a Lalique bowl to paint a still life and wears Zandra Rhodes...
With vinegary zest each January, a number of star-struck publications make up their lists of who's in and who's out for the coming year. According to PEOPLE, USA Today and W, greed and selfishness are '80s evils. The new year promises a more compassionate, humane crop of idols. Generally getting the cold shoulder for 1990 are hardhearts like Roseanne Barr, Bryant Gumbel, Eddie Murphy and Margaret Thatcher. The new In crowd includes such softies as Delta Burke, Arsenio Hall, Madonna and Meryl Streep. Rocker Janet Jackson has ended up with a foot in both camps. Time...
...novel is only marginally about dopers and spoilsport law-enforcement types. The showdown looming in Vineland County serves as the melody for a series of dazzling riffs on the 1970s and early '80s. It comes as a surprise to realize that these generations are the lost ones in Pynchon's fiction. V. (1963) and The Crying of Lot 49 (1966) anticipated but arrived just before the triumphant effulgence of television and youth culture in American life; Gravity's Rainbow was chiefly set during World War II. So Vineland amounts to Pynchon's first words on the way we have been...