Word: 60s
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Contrary to popular belief, Harvard’s taste for architectural monstrosities did not begin in the 1950s and ’60s. As early as 1865, Harvard was beginning construction on its most ostentatious and out-of-place building: Memorial Hall. While it is undeniably impressive on the inside—Annenberg’s resemblance to Hogwarts has probably added a couple of percentage points to the admissions yield—the exterior’s streaky bacon color scheme and remarkably ugly tower set it apart as an eyesore. Gothic arches this dramatic might have looked great...
...architectural missteps, the Science Center lurks just outside the Yard, completely at odds with its red brick surroundings. Of course variety is welcome, but not when it looks like this. Sert supposedly took the shape of a camera as his inspiration for the design. Cameras in the 60s certainly looked very different to today, but I’m pretty sure they didn’t look like this. My suggestion: Knock it down and rebuild it in the shape of a sleek modern camera. Imagine the giant digital screen. Amazing...
...based architectural firm Thompson Design Group, was drawing up a proposal for another D/R exhibition that would not open for two years, she had an idea for the Brattle property. She would bring back the designs D/R introduced to Cambridge in the ’50s, ’60s, and early...
...begin. That depends in part on breast cancer risk, which increases with age - for every 100,000 women, the risk of developing breast cancer is 1 in 69 in women in their 40s, 1 in 38 in women in their 50s, and 1 in 27 among women in their 60s...
...folk music scene in Cambridge was also unique in the way that it transcended racial and class barriers. When African-American performers came to Cambridge to perform back in the 50s and 60s, Cambridge was still a quietly segregated city. Instead of staying in hotels, artists stayed with Cambridge residents in their houses. According to Siggins, Club 47 filled a gap in American music history—it brought incredible talent and unique voices to the table that would otherwise go unheard. Folk music in Cambridge was also blind to class and social distinctions—that is, the clubs...