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...moment. Created by Debbie Stoller, a 35-year-old who holds a doctorate in women's studies from Yale, and Marcelle Karp, a 34-year-old TV producer, Bust is a magazine intentionally written in teenspeak but meant for female readers in their late 20s and early 30s. It was developed as an antidote to magazines like Cosmopolitan, which present female sexuality so cartoonishly. However noble the intent, the message is often lost in the magazine's adolescent tone: read about an adult woman's first-time vibrator discoveries or a scintillating account of lust for delivery...
Across town, at a table in the modest apartment where she supposes she'll have to go on living until she finds a job, Alicia is quitting crank. Once an upwardly mobile employee of a FORTUNE 500 company based in a large Southwestern city, Alicia is in her mid-30s but looks 50. Her face is pocked and pitted from her attempts to pick out the crystals of methamphetamine that, she swears, used to form under her skin. Alicia moved to Montana several years ago in hopes of escaping the bigger city's crank scene. She says the subcutaneous crystals...
...young playwright shows the unlikely influence of such left-wing dramatists of the era as Clifford Odets. But he must have sat through quite a few Warner Bros. prison films of the '30s as well. Not About Nightingales is paced like a movie, with short scenes that skip willy-nilly from warden's office to cell block, from mess hall to prison yard. The warden (played with fine, greasy intensity by Corin Redgrave, Vanessa's brother) is a sadistic dictator with no redeeming features. The convicts include a bullet-headed tough guy who organizes a hunger strike (James Black...
Throughout the '20s, Chanel's social, sexual and professional progress continued, and her eminence grew to the status of legend. By the early '30s she'd been courted by Hollywood, gone and come back. She had almost married one of the richest men in Europe, the Duke of Westminster; when she didn't, her explanation was, "There have been several Duchesses of Westminster. There is only one Chanel." In fact, there were many Coco Chanels, just as her work had many phases and many styles, including Gypsy skirts, over-the-top fake jewelry and glittering evening wear--made of crystal...
...female nude was his obsessive subject. Everything in his pictorial universe, especially after 1920, seemed related to the naked bodies of women. Picasso imposed on them a load of feeling, ranging from dreamy eroticism (as in some of his paintings of his mistress Marie-Therese Walter in the '30s) to a sardonic but frenzied hostility, that no Western artist had made them carry before. He did this through metamorphosis, recomposing the body as the shape of his fantasies of possession and of his sexual terrors. Now the hidden and comparatively decorous puns of Cubism (the sound holes of a mandolin...