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...borrowing from its past here to address 21st century ratings worries. "Television is marked more and more by event programming," says CBS-TV president Leslie Moonves. (CBS recently announced plans for a live version of On Golden Pond.) Says consultant Ethel Winant, who was an associate producer of the 1950s' live-TV anthology Playhouse 90: "The actors are naked in front of millions of people...[and] the audience is part of that experience...

Author: /time Magazine | Title: Television: Live...from the Brink | 4/10/2000 | See Source »

Borrowing a little excitement is fine, and there's something sweet in Clooney's homage to TV's past. But there's an apologetic ring to the project too; it seems to kowtow to the Edenic myth that since the 1950s, TV has charted a direct course to hell. Many of the decisions--from shooting in black and white to having Walter Cronkite introduce the production--are like penance for the past. And no such apologies are necessary. Playhouse 90 was a wonderful program, but there's a difference between creating TV and broadcasting theater, between using the medium...

Author: /time Magazine | Title: Television: Live...from the Brink | 4/10/2000 | See Source »

...solid, centralized state in France (and quickly pulled his country out of a colonial war in Algeria, a conflict that is often compared with that in Chechnya); the other was Ludwig Erhard, architect of West Germany's postwar economic revival. Putin sees obvious parallels with France of the 1950s and Germany of the late...

Author: /time Magazine | Title: Run for the Roses | 4/3/2000 | See Source »

...named several current composers aligned with those called the "New Tonalists." But a number of other composers, myself included, foreshadowed the return to tonalism back in the 1950s and '60s, when audiences left the concert halls in droves to protest what they felt was music that did not communicate. My compositions were dubbed "hopelessly tonal." Now it is safe to be a tonal composer. But the risk lies in music becoming so openly derivative and unchallenging, so dangerously reliant on effect, that it will invite a swing away from tonality and a move back to another period of nontonality. BENJAMIN...

Author: /time Magazine | Title: Letters: Mar. 27, 2000 | 3/27/2000 | See Source »

Noses have their advantages. They're cute, they're versatile, and they're small enough to be carried around. Which may be why the artificial odor detectors that engineers have been building since the 1950s to try to mimic the olfactory abilities of our built-in sensors have taken so long to find their way to the market--and then, in most cases, have flopped...

Author: /time Magazine | Title: Electronic Noses Sniff Out a Market or Two | 3/20/2000 | See Source »

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