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During the 1920s, The Theatre Guild was the most important single influence on the U. S. theatre. It may have fallen for artiness, but it also recognized art. An organization which, during its first ten years, produced Heartbreak House, Liliom, Back to Methuselah, R. U. R., The Adding Machine, Saint Joan, Processional, Ned McCobb's Daughter, Right You Are If You Think You Are and Strange Interlude could well be pleased with itself...

Author: /time Magazine | Title: The Theatre: 21 Years After | 5/6/1940 | See Source »

During the late 1920s a former iron molder, garage grease boy, machinist and farm hand named Robert Gilmour Le-Tourneau was making a modest living around Stockton, Calif., leveling farm lands and digging excavations with some machinery he had put together. One night he attended a meeting of the Young People's Mission in Stockton. Full of inspiration, he went home to his drafting board, in no time had turned out a design for a power control unit which would co-ordinate the functions of his digging machine...

Author: /time Magazine | Title: Business: Piety & Profits | 3/25/1940 | See Source »

...Frederick Lewis Allen's best-selling story of the 1920s, Only Yesterday (1931), the nation's readers took much the same pseudo-rueful pleasure as a man might get out of being reminded how he cut up at the Country Club that night in 1924 ("I never did any such thing!" etc.). In Since Yesterday, which is Mr. Allen's record of the 1930s, readers will probably find a more genuine pain in the pleasures of recollection...

Author: /time Magazine | Title: Books: Scary and Screwy | 2/12/1940 | See Source »

Siegfried et al. In the early 1920s, when the late Enrico Caruso died and Soprano Geraldine Farrar retired, the Metropolitan's Italian opera began to limp downhill. But its Wagnerian opera has goosestepped steadily on. When big, blue-eyed Soprano Kirsten Flagstad joined the company in 1935, Wagnerian opera began to boom, played to the biggest box office the Met has known since Caruso's day. Principal drawing card in the Met's Wagnerian productions was Soprano Flagstad's bosomy personality and earth-mother voice. But she could not have done it all by herself. Supporting...

Author: /time Magazine | Title: Music: Great Dane | 1/22/1940 | See Source »

...early 1920s, Martin-Parry Corp. was a big U. S. manufacturer of commercial car bodies, for a few years grossed up to $5,000,000 annually. Its founder and president is tall, fretting, blue-eyed Frederick M. Small, son of the town's richest man, who went through Yale, returned to set up his own candy factory, and before he was 22 employed 200 men. Now he is 61, and since 1927 Martin-Parry Corp. has lost money every year. That year Henry Ford changed over from Model T to Model A, and Martin-Parry, with a big stock...

Author: /time Magazine | Title: MANUFACTURING: War News | 12/11/1939 | See Source »

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