Word: 1920s
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...younger age than boys. Just this month the American Journal of Public Health reported that more than twice as many adolescent girls as boys said they were worried about gaining weight if they quit smoking. In years past, cigarette companies capitalized on such fears. Lucky Strike ads in the 1920s encouraged women to "Reach for the Lucky Strike Instead of a Sweet." Unfortunately, doctors note, even modest weight gains can loom large for women: a gain of 8 lbs., for instance, can translate into a different dress size; for men it may only mean letting the belt out a notch...
...movie seems enshrouded by fate, so are its characters. Jinshan (Li Wei) runs a dye factory in northwestern China in the 1920s. This vile old man has taken a young wife, Ju Dou (Gong Li), who is made a slave to his viciousness. In bed he gags and harnesses her and rides her like a donkey, and the night bleeds with her shrieks. But the degradations stir Ju Dou's willfulness and sensuality. Now she undresses before the avid eyes of Tianqing (Li Baotian), her husband's adopted son. By abandoning herself to him, she hopes to liberate the captive...
Marsalis has since performed with these "homeboys," notably at a Hollywood Bowl tribute to Armstrong and at Lincoln Center's Classical Jazz festival, where they played such 1920s-vintage New Orleans numbers as Armstrong's Cornet Chop Suey and Jelly Roll Morton's Jungle Blues. For Marsalis, who had brashly declared in one of his early interviews that "there is no jazz in New Orleans," that was quite a turnaround. He now regrets what he calls his youthful "ignorance" and is delving into that city's musical legacy -- particularly the blues -- with a vengeance...
Thomson Professor of Government Martin L. Kilson focused on the varying social agendas of Black churches in the 1920s and 30s in his keynote address...
...This happened with the confluence of modernism, Marxism and nostalgia for the fresco cycles of pre-Hispanic antiquity that turned in the 1920s, under the patronage of Mexico's Minister of Education Jose Vasconcelos, into the mural movement: Diego Rivera, Jose Clemente Orozco and David Alfaro Siqueiros. The special value of this show is that instead of treating these Big Three as isolated characters, it presents a dozen or more other Mexican artists of the time in some depth -- starting with the spectacularly gifted Saturnino Herran, who would certainly be as celebrated today as Rivera himself...