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...remember it being this funny" is the constant refrain at the Ziegfeld Theatre in Manhattan, where the 1965 film The Sound of Music is getting The Rocky Horror Picture Show treatment. Viewers are invited to arrive in costume, sing along with every musical number as the film plays and comment out loud about the events on screen ("I'm gay!" shout several people whenever Uncle Max announces he has a surprise for the children). Some younger kids might be frightened by the spectacle of hundreds of New Yorkers, a few in drag, belting out So Long, Farewell...

Author: /time Magazine | Title: Theater: Sing-A-Long Sound Of Music | 10/2/2000 | See Source »

DAVID MERRICK--the Ziegfeld of the '60s, the Abominable Showman (a description he adored), a boss who scared the pants off this young man whom he had just hired to write the songs for Hello, Dolly! (starring Carol Channing, pictured with Merrick), entering his blood-red office for the first time. A jokester who used rave quotes by ordinary people (who had the same names as the seven Broadway critics of the day) to advertise a flop show of his in a full-page New York Times ad, a loving father, a ladies' man--the dictator who forced...

Author: /time Magazine | Title: Eulogy: DAVID MERRICK | 5/8/2000 | See Source »

...arrived at New York City's Ziegfeld Theater at 9 p.m. to find something that could only generously be called a ticket line. Now, when I was a kid and you wanted to show how much you liked whichever four people happened to make up Yes at the time, you showed up with a sleeping bag and slept out for your tickets. You liked Yes so much you were willing to go to school smelling like you liked...

Author: /time Magazine | Title: Spearheading the Star Wars Backlash | 5/17/1999 | See Source »

...Florenz Ziegfeld produces the first of his 24 famed Follies...

Author: /time Magazine | Title: Milestones Of The Century | 6/8/1998 | See Source »

...subverts the typical narrative by using all the handsome old tools. Contempt has movie stars, guns, car crashes, wide screen, beautiful color, the cliffs of Capri, the most rapturous music (by Georges Delerue, his violins sawing and soaring like Philip Glass in ecstasy). And, always, pretty women. A Ziegfeld of the Left Bank, Godard reinvented Jean Seberg and discovered Anna Karina, Juliet Berto, Maruschka Detmers, Myriem Roussel, Juliette Binoche, Julie Delpy--glories of Gallic cinema. In Contempt he saves Bardot from cheesecake notoriety. She's smart, sensitive, brutal, doomed...

Author: /time Magazine | Title: CINEMA: FOR EVER GODARD | 8/4/1997 | See Source »

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