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...screen, both men are very involved in comedy and performance of all kinds. Hill began his career performing in one-act plays in New York City, and now alternates between acting, writing, and producing. Between acting gigs, he has recently helped to write and produce “Brüno” for Sacha Baron Cohen, and soon will be writing and producing the film adaptation of “21 Jump Street...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: Brand and Hill Hit Boston Before 'Greek' | 4/20/2010 | See Source »

...this wasn’t my job I would be doing this anyways for free,” he said.  “My advice to anyone is sit down and write, get some friends, borrow a camera, borrow whatever and don’t make it fancy, just trial and error. Just make little films. That’s what I’d be doing in my apartment if I wasn’t doing this. Just find what you love and work your...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: Brand and Hill Hit Boston Before 'Greek' | 4/20/2010 | See Source »

...Benjamín Espósito  (Ricardo Darín) who is haunted by a 25-year old unsolved crime, as well as the lost opportunities in his love life. Benjamín’s quest for closure is put to the test when he decides to write a novel about the rape and murder case that has been on his mind, leading him to revisit his past in every sense of the word...

Author: By Elizabeth D. Pyjov, CONTRIBUTING WRITER | Title: The Secret in Their Eyes | 4/20/2010 | See Source »

Paterson draws on a wide range of poetic conventions, alluding to poets of a remarkable range of nationalities, from Chinese classical poets Li Po and Du Fu, to the French surrealist Robert Desnos and the Peruvian poet César Vallejo. Though he always chooses to write in clear cut poetic forms, he draws these forms from traditions across the globe. It is impressive to find a poet who writes in a Scottish dialect in one poem—“I’m staunin here upricht, wi’ you?...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Paterson’s ‘Rain’ Pours Poems | 4/20/2010 | See Source »

These “friends” don’t know me well enough to write on my wall, but they don’t have any qualms about pressing their interests onto me. There is something deeply depersonalizing about the fact that people can look at their social networks as potential marketing tools in this way. Somehow, I feel that the people-to-people connection that makes Facebook so special gets lost in the shuffle—when I get asked, along with a hundred other people, to become a friend of HUDS or an entire a capella...

Author: By Adrienne Y. Lee | Title: Whose Facebook is it anyway? | 4/19/2010 | See Source »

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