Word: writing
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Dates: during 1980-1989
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Before senior editor Claudia Wallis sat down to write this week's cover story, she had mixed emotions about the feminist movement. "If asked the question, 'Are you a feminist?' I would have said, 'Yes, but . . . ' " The uncertainty reflected Wallis' experience balancing the demands of a career and a growing family (she and her husband Hugh Osborn, a media consultant, have two children, Nathaniel, 3, and Madeleine, 11 months). "I wondered whether the movement did us a disservice by not preparing us for how difficult it would be," she says. "I'm part of a generation of women who grew...
...would never have so dangerously confused the issues, as Larew obviously has. He then goes on to state that I imply that "anyone who criticizes the Jewish state must be motivated by hatred of the Jews." Larew put words into my letter that I never wrote and never would write. He twists my statements to suit his purposes. I am absolutely appalled by this and I feel that a retraction is in order...
...jeremiad, the "puppet-masters" of the American literary scene imported a new pantheon of foreign literary gods -- Jorge Luis Borges, Milan Kundera, Gabriel Garcia Marquez. The "headlong rush" to get rid of realism, Wolfe complains, resulted in statements like that of experimental novelist John Hawkes, "I began to write fiction on the assumption that the true enemies of the novel were plot, character, setting and theme...
Faced with these developments, Wolfe decided to write Bonfire in order to prove a point, "namely, that the future of the fictional novel would be in a highly detailed realism based on reporting, a realism . . . that would portray the individual in intimate and inextricable relation to the society around him." This realism, argues Wolfe, was what characterized the success of writers as varied as Zola, Dostoyevsky, Dickens and Lewis, whose Elmer Gantry prefigured the Jim Bakker affair by more than half a century. Nor is Wolfe too modest to add that such realism is what "created the 'absorbing' or 'gripping...
...view. I see the feast of literature as truly a smorgasbord. I wouldn't want a world in which there were only Balzac and Zola and not Lewis Carroll and Franz Kafka. The idea that because we live in a large and varied country we therefore ought to write the sweeping, panoramic novel is like arguing that our poets all ought to be like Walt Whitman rather than Emily Dickinson...