Word: writing
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Dates: during 1930-1939
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Retract or-or by Golly and by Jiminy I won't let you write my next play...
...term, carved a turkey at the Thanksgiving dinner for the patients at the Warm Springs Foundation, looked over his 2,500-acre Georgia farm, held a press conference at the roadside while sitting at the wheel of his car, discussed taxes, and in general provided reporters with nothing to write about...
...production of the season, was penny amusing and pound silly. I Know What I Like (by Sculptor Justin Sturm) displayed a huge statue by Columnist Westbrook Pegler which stole the show. It may also have inspired it. "If Peg can do sculpture," Sculptor Sturm perhaps told himself, "I can write a play...
...such Frost-bites as: "Don't Work - Worry" -or: "I save my scorn for the people who say what everyone else says. If you repeat a thing three times, it isn't true any more." Nobody ever flunks Teacher Frost's "course." "Don't write for A's" says he, "write for keeps, for blood. Writing for A's is just practice. . . . Athletics are more terribly real than anything else in education. It's because athletics are for blood, for keeps. Studies are done just for practice...
...Dramatic Arts, or its McCarter Theatre, Yale and Princeton must look towards their Cambridge crony with pity. Harvard still inclines to a tradition of "pure" liberal arts, devoid of much practical application. But long ago colleges realized each subject can grow only in its own medium, that to write drama for an English composition course--and yet keep it divorced from the stage--is like reading chemistry without carrying on laboratory experiments. Playwrights like Sidney Howard, Eugene O'Neill and Philip Barry thrived under Professor Baker because the workshop tested their lines through informal productions and moulded them into shape...