Word: world
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Dates: during 1960-1969
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...William Hamilton, God was dead, and the sacred with him. Nietzsche had coined the phrase in the 19th century, but it was Altizer, the Christian atheist, who gave it new currency. The God of the Bible had died in Jesus Christ, he said, and lived on in the world only in man. There was not much more to say. It was the task of others to effect a resurrection...
...Christian theology: the problem of the future." As Moltmann sees it, the churches have neglected that central point of Christianity almost completely, looking wistfully back, instead, toward a vanished primordial paradise. "The Church lives on memories," Moltmann writes in a second book, Religion, Revolution, and the Future, "the world on hope...
...underlying philosophy from a highly unorthodox source: Marxist Philosopher Ernst Bloch.* Bloch is an atheist who nonetheless believes that man's hope for the future is the only transcendence in the universe: "Where there is hope, there is religion." Moreover, says Bloch, a hopeful future came into the world with the Bible...
Johannes Metz, a German Roman Catholic theologian-of-hope who is working with Moltmann on a new book of political theology, makes a similar assessment of the Christian impact on the world. "The secularity of the world, as we see it today in a globally heightened form, has fundamentally arisen not against Christianity but through it," he writes. "It is originally a Christian event." So is it also, in a strikingly different way, in the thinking of Roman Catholic Theologian Gregory Baum. In a study called Man Becoming, to be published next spring, New York-based Father Baum perceives...
...rediscovery of joy to a new generation of believers. In fact, the emphasis on the Dionysian element in life-celebration, song, dance, laughter-is fast acquiring a theology of its own. In The Feast of Fools, Harvey Cox presents Christ as clown and Christianity as comedy, because the world "should not be taken with ultimate or final seriousness." Theologian Sam Keen, 38, pleads a similar case in Apology for Wonder. While he believes that "the wise man is a dancer," he insists that the "authentic" man temper his ecstasy with a sense of timeliness...