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Comprised of the Carus Lectures Cavell presented to the American Philosophical Association in 1988, this unruly--at times unfathomable--little book traverses the vast range of Cavell's recent thought, providing brilliant (if brief, sometimes sketchy) insights into the work of Emerson, Wittgenstein and Rawls, and charting a course for the future of American philosophy...

Author: By Alexander E. Marashian, | Title: Stanley Cavell Knows Emerson | 4/25/1991 | See Source »

...probably blowing off work and bagging classes), they must be perplexed by the unfamiliar vocabulary they over-hear. The tourists are probably under the mistaken impression that our diction is just too sophisticated for them to understand--that it has something to do with Kant, Nietzsche or Wittgenstein...

Author: By Beth L. Pinsker, | Title: Deconstructing Harvard-Speak | 10/27/1990 | See Source »

...then along came Ludwig Wittgenstein, the Austrian philosopher whose Tractatus Logico-Philosophicus redefined and reduced the scope of the discipline. Says Martin: "As I studied the history of philosophy, the quest for ultimate truth became less important to me, and by the time I got to Wittgenstein it seemed pointless. Then I realized that in the arts you don't have to discover meaning, you create it. There are no rules, no true and false, no right and wrong. Anyway, these were the musings of a 21-year-old kid." A 21-year-old kid who was ready...

Author: /time Magazine | Title: Sensational Steve Martin | 8/24/1987 | See Source »

...into a Dada format, and at home National Lampoon updated sick humor with a stinging Wasp edge. They were vicious; they were silly; they couldn't care less. And now someone had to shatter the lulling cadences of stand-up too. Who better than the child of Disneyland and Wittgenstein...

Author: /time Magazine | Title: Sensational Steve Martin | 8/24/1987 | See Source »

Neither as chic as Paris nor as intriguingly edgy as Budapest, the Vienna of today is a cozy and polished metropolis. But at the beginning of the 20th century, Vienna was chockablock with giants of the age: Freud and Wittgenstein, Mahler, Berg and Schoenberg, Klimt, Schiele, Kokoschka, Hoffmann, Wagner and Loos -- as well as the young Adolf Hitler, a desperate artist-architect manque. Old cultural dogmas had been discredited, new doctrines not yet entrenched. Imminence was all. Artists and intellectuals all over Europe shared a sense of being on the very cusp -- between a smug century...

Author: /time Magazine | Title: Art: Gleams From a Gorgeous Twilight ! | 7/21/1986 | See Source »

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