Word: witnesses
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Dates: during 1960-1969
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MAHLER is always referred to as a post-romantic composer, which provides a beneficial point of departures but constantly lead to distortions. The traditional image of this period, which corresponded almost exactly wit his lifetime (1860-1911), is of a lavishly talented collection of artists, aesthetically stranded in the shadows of their majestic predecessors-especially Beethoven and Wagner-struggling miserably with their grandiose inheritance but succeeding only in repeating the great men's first thoughts, and eventually making a cult of lamentation out of their own shortcomings. Thomas Mann described this period of apparent artistic desperation and extravagance...
...fact the moments of moral and spiritual struggle...that men and women come nearest to being real. If you do away wit this struggle then you must expect human being to become more and more vaporous...
...diversity while believing in an irreducible, if ultimately unvoiceable permanency in life. The milieu of is world may be suggested by the names Eichendorff, Haupmann, Strauss, Kant, Sclegel, Mozart, the Mass, and Goethe: a weird assemblage which yielded a mind disposed to mystical and ironical visions, but always wit a resilient core of innocent he is accused of innocent simplicity. And this is almost certainly the reason e is accused of parody. As Tovey wrote...
...held only three days a week--Monday, Tuesday, Thursday. Under the guidance of a faculty member (Stanley Cavell in the humanities and George Cabot Lodge and Jon Stoessinger in politics and economics), the participants discuss their readings or presentations as a manifestation of American life and compare them wit their own experiences...
...real preparation for the program itself because I had not much idea of what it would involve beyond discussions. But I was very pleased wit the opportunity to meet American people. I have found them to be spontaneous and very kind...