Word: without
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Dates: during 1950-1959
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...thoughts since returning from a Communist-sponsored junket to the Middle East in 1958. Discovered by the secret police early this year, Aysaev was summoned to party headquarters. That night, according to the Communists, he returned to his hotel and killed himself. Fearing public outcry, the Reds buried him without a funeral...
...over the mission of the A.F.R.O.T.C. program. Over the past 15 years, the Air Force has shifted the goal from training men to serve for short terms in reserve units to recruiting and educating active-duty officers on a long-term career basis. This has been done, charged Millett, without the Air Force's defining a new mission for its college R.O.T.C. units. Said he: "It is not unfair to say that the administrations of many colleges and universities sense a lack of interest and concern on the part of the Air Force with the college education program...
...contemporaries, sneers Mankowitz, "write about nice, happy, sexless people who lead nice, happy, sexless lives." "As for me," says he, "I love the flesh. I like to catch people at it. I love the culture that proceeds out of the physical life of people; people as they are, without snobbery or pretensions. I'm a Jew from Russia who was born in this country," he adds. "But I'm more English than the English have been for 100 years...
...long, angry denunciation of Tristan that followed, she displayed a big, flashing, vibrant voice that galvanized her audience and conveyed an immediate sense of the turbulent passions that animate the role. As the opera unfolded, Soprano Nilsson continued to dominate the stage with such ringing power that she cut without difficulty through the opulent textures of the Wagnerian orchestra-particularly in the climactic Liebestod in Act III. Perhaps because of debut stresses, the voice also had its marked drawbacks; at times it sounded strained, took on a steely glitter when more opulent warmth was called for. Apparently a more severe...
Roar of Agony. Without overture or curtain, the opera opened with Oedipus singing expository lines of 69 German syllables, every one of them on middle C. The orchestra then established the only genuine motif in the entire work-a rapid, stepwise up-and-down flourish that occurred again and again, eventually became Oedipus' climactic roar of agony. The work unfolded without set pieces or arias, and the staging by Director Günther Rennert was similarly spare, e.g., when Jocasta (Soprano Astrid Varnay) learned that she was the mother of Oedipus she threw her head back with mouth agape...