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Word: waspish (lookup in dictionary) (lookup stats)
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...none other than Orson Welles. "The part of Whiteside was written for me," said Welles. "They offered it to me first, but I didn't do it." Thirty-three years later, Welles finally agreed to star in an "updated" TV version. The critics' reactions were as waspish as anything Whiteside might offer: "heavy-handed," "vulgar," "disastrous." Said Welles, a little chastened: "I probably blew...

Author: /time Magazine | Title: People, Dec. 11, 1972 | 12/11/1972 | See Source »

...sheer prestige of belonging keeps waiting lists long at the small group of old-money clubs that exist in every big metropolitan area. It will be a long time before prospective members are put through less than total scrutiny at such WASPish establishments as Chicago's Onwentsia Club, the St. Louis Country Club, the Los Angeles Country Club (entrance fee: $25,000) or Long Island's Maidstone Club...

Author: /time Magazine | Title: SERVICES: Rising Club Handicap | 10/23/1972 | See Source »

...avid of old men. In fact, suggests Libman, Stravinsky was something both more and less than that in the twelve years during which, as his personal manager and sometime member of the Stravinsky menage, she knew the composer. For one thing, he was more sparing with words, less waspish as a polemicist. For another, the lady maintains, many of the words were not the composer's at all; they were Craft's. As she sees it, Composer-Conductor Pierre Boulez was correct when he accused Craft of "a great falsification of the image of Stravinsky...

Author: /time Magazine | Title: Music: The Master's Voice | 9/18/1972 | See Source »

Died. Oscar Levant, 65, composer and pianist whose dour, waspish wit nourished a turbulent career in radio, television and films (see SHOW BUSINESS & TELEVISION...

Author: /time Magazine | Title: Milestones, Aug. 28, 1972 | 8/28/1972 | See Source »

...Lillian Libman, 59, Stravinsky's personal manager and sometime member of his menage. In And Music at the Close: Stravinsky's Last Years, a memoir that will be published this fall by W.W. Norton, Libman contends that Stravinsky was actually more abstemious with words and less waspish and argumentative than the Craft collaborations suggest. Indeed, she maintains, many of the words are not Stravinsky's at all but Craft's. Libman calls into question Stravinsky's supposedly keen interest in new music, his thirst for prolonging feuds with colleagues and critics, his hard-edged style...

Author: /time Magazine | Title: Music: Stravinsky's Boswell | 6/26/1972 | See Source »

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