Word: waltzes
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...parallel story lines that converge late in the film, German Colonel Hans Landa (Christoph Waltz), a kind of supersleuth "Jew hunter" with a chatty, almost courtly demeanor, discovers and kills most of a Jewish family hiding in the cellar of a French farm. One girl, Shoshanna, escapes to Paris, where she runs a movie theater. She meets a young soldier, Frederick Zoller (Daniel Brühl of Good Bye Lenin!) who has become a battlefield hero and starred in his own military biopic, which is to receive its world premiere at Shoshanna's theater with top Nazis in attendance...
...cast, Pitt all but disappears into his mountaineer accent and laconic sadism; the other Basterds are mere war-film window dressing. This conflict is fought mainly between nasty Nazis and resourceful women. In her slinky dresses and fancy footwear (sometimes just one shoe), Kruger is steely glamour incarnate. And Waltz has the purring efficiency of a sleek German vehicle, not a tank but a Mercedes-Benz; he could take Cannes' Best Actor prize on Sunday night. The movie is pretty scrupulously played in the languages its characters would speak - except for one odd moment early on, when Landa tells...
...with a pearl of wisdom from one of the male characters: "That's your problem. Your idea of romance is grinding a girl on the dance floor when what girls want is to waltz." But the episode revolves around romance induced by Petros' "Body Glow." Mixed messages...
...authors write, "its database is an accurate measure of what one might call the 'events that matter.'" To be more precise, though, the database generally catalogs glitzy events where shutterbugs can count on preening targets with boldface names. That's great if you work for Page Six or can waltz past the velvet ropes at Les Deux. But the study seems not to hone in on places generating buzz but rather on those whose names already resonate. This distinction is probably mere semantics to a nightclub impresario or budding restaurateur deciding where to situate a new venture. Buzz, the authors...
...Norworth still needed music to accompany his verse. He sought the help of his friend Albert von Tilzer, a Broadway songwriter and the creator of popular songs like "The Alcoholic Blues" and "I May Be Gone for a Long, Long Time," whose waltz-like melody made the tune complete. On May 2, 1908, the U.S. Copyright Office received two copies of their song - and most likely filed them away with the hundreds of other odes to baseball that had come before it. (Among the less popular: the largely forgotten "Baseball Polka," created by a Buffalo ballplayer.) "Take...