Word: visualizer
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Dates: during 1940-1949
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...become more fashionable than God's or man's will as an explanation of all human acts. Various types of mental sickness (amnesia, etc.) have been used and used again as springboards for psychological thrillers. In fact, the theme has become so familiar that a relatively new visual idiom has been worn down into a bag of movie cliches (the close-up of the vague eye, the trick shot of all outdoors whirling round & round, the heart beating an audible tom-tom, the psychiatrist with his smooth sofa-side manner...
Samuel Chamberlain, author of "Fair Harvard," Richard W. Cartwright of the Boston Club, and Gyorgy Kepes, professor of visual design at MIT, will head the judges panel. The other two judges are Mrs. Lee Ellis and James Brook noted Boston amateurs...
...earnestly to make up the difference by cooking up things to put on the screen. Some of the devices were effective and to the point-e.g., the simple scoreboards and graphs that gave the returns at a glance (but not the detail-packed blackboard charts that looked like visual doubletalk...
...commendable, but he mustn't let his long affiliation with thousands of thin-thighed showgirls go to his vocabulary when he calls opera singers "hamfats." Does he know that it takes all that "heft" to sing above a vast orchestra? . . . Opera is not supposed to be a flashy, visual affair of housebroken horses and incredible bosoms ... We don't go to look; we go to listen...
...Good Old Days." The most inventive of current directors, Huston knows as much about visual storytelling as any living man. Yet he has no weakness for the visual wow. He can contrive unforgettable images such as Robinson's bestial lolling in the bathtub (easily the most efficacious tub shot in movie history) or his death under Bogart's bullets, as obstinate as the rearing snake he suggests. But such images are never merely "pictorial" or "effective." Huston's style, so transparent that it would be very hard to describe, is unimitative and inimitable. It stamps Huston...