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...Leadership Academy of South Africa operate on a top-down theory of change. They equip their graduates to act on the national and even international stage by guaranteeing tertiary education. In short, they prepare their students to be extraordinary. Oprah communicates such a mission to every viewer of her website before they can even click on the “mission” tab. The following series of questions greets every viewer of the school’s website: “How many Rosa Parks or Marie Curies have we lost to poverty? How many Maya Angelous or Sandra...

Author: By Elizabeth C. Cowan | Title: The Importance of Educating Girls | 5/26/2010 | See Source »

...work displays a transcendence of the image-sound boundary, a transcendence which generates psychological disruption and shock in the viewer. But further than this analysis, we should not attempt to ponder. Any meaning the film has is what it arouses in the individual; there is no universal symbolism to the images or music. Attempting to unravel such a non-existent meaning would be futile, and would only serve to destroy the personal connection for which the film strives...

Author: By Sarah L. Hopkinson, CONTRIBUTING WRITER | Title: NEW VISUAL ALBUM: The Sound and Fury of Animal Collective | 4/27/2010 | See Source »

...2006’s “Notes on a Scandal,” the film is presented so artfully that we are not ashamed to take a perverse pleasure in its debased thrills. The filmmakers manage to give a gorgeous sparkle to their sleaze and delight the American viewer with their Britannic bag of tricks: lush landscapes, finely tuned turns of phrase, and pretty accents with elongated vowels...

Author: By Michael A. Yashinsky, CONTRIBUTING WRITER | Title: Cracks | 4/27/2010 | See Source »

...show’s elaborate set-design and lighting also have a hand in confusing viewer perception. In the first half of the play, the stage is divided into two raised platforms: one containing a deserted island scene and the other, a fully furnished living room. When the lighting switches between platforms, it seems that there is a scene or temporal switch...

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: Fat Men in Skirts!!!?! | 4/27/2010 | See Source »

...felt, personal emotion. As she says, “A painting is everything in your world, deposited in that work: everything you think, believe, and know. Or don’t know.” Yet Vu’s work is not inaccessible. Instead, it almost teases the viewer, speaking on many different levels. Vu describes her own work best: “I suppose I don’t make conversation, but whisper secrets to myself...

Author: By Catherine A Morris, CRIMSON STAFF WRITER | Title: Vi Vu '10 | 4/27/2010 | See Source »

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