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...found was to make it a mix of spectacle and drama, drawing on his own cultural influences. It was Jacques Cousteau who first lured a TV-obsessed teenage Hanks to take biology seriously. Cousteau's art was to have the curious viewer ask, How would I fare 20,000 leagues under the sea with a steel scuba tank on my back and a tiger shark circling my underwater cage? "Cousteau was unlike anything else that was on TV, and I was sad when the hour was up," Hanks recalls. "I was uninterested in science class. But boy, did I search...

Author: /time Magazine | Title: How Tom Hanks Became America's Historian in Chief | 3/6/2010 | See Source »

...some time) represented a convenient symbiosis. But the merger of film and television presented producers with a formidable challenge: how to create a program that would appeal to both the cinephile—deigning for one night to watch, shame of shames, television—and the devout TV viewer whose remote control happened to lead him there...

Author: By Molly O. Fitzpatrick, CRIMSON STAFF WRITER | Title: Widescreen to Flatscreen: Televising the Oscars | 3/2/2010 | See Source »

...questioned as infection spreads and eventually manifests itself in both the physical and psychological states of the characters. Though the film is not without its plot twists and necessary in-your-face gore, it improves upon typical genre fare by creatively turning everyday situations into brutal nightmares; no viewer will ever, ever go through a carwash again without checking for crazies. One thing is for sure: “The Crazies” will please and scare both newcomers and the zombie-genre faithful...

Author: By David G. Sklar, CONTRIBUTING WRITER | Title: The Crazies | 3/2/2010 | See Source »

...innocent viewer would guess is that the people making the movie like making jokes about other movies; Smith does that, and so do too many other directors. Early on, there's a scene - even if you haven't seen the movie, you've seen the clip a dozen times - where Paul interrogates a suspect using tough-guy lines from other movies: Heat, Training Day, Jaws, Schindler's List, The Color Purple and finally Willis's own Die Hard. (Willis says, "I've never seen that one.") If the riff is Smith's contribution, it's both a testing...

Author: /time Magazine | Title: Kevin Smith's Cop Out: Too Flabby to Fly | 2/26/2010 | See Source »

...violence haunts the film and the viewer,” Theidon said. “But the director employed ‘magical realism’ to take real stories and symbolically transform them into powerful images and a powerful film...

Author: By James K. Mcauley and Julia L Ryan, CRIMSON STAFF WRITERS | Title: Anthropology Professor's Book Inspires Oscar-Nominated Film | 2/26/2010 | See Source »

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