Word: veronica
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...only from scene to scene but from minute to minute, according to Zalisk. “[Autobahn] integrates, in a way that’s very powerful, moments of great malice, moments of great humor, and moments of tenderness,” says Zalisk. Co-producer and stage manager Veronica T. Golin ’07 adds that the set, which consists of a reproduction of a car’s front half, emphasizes the play’s focus on human relationships. The sparseness of the set augments reality: every facial twitch is front and center and every finger...
...children in their country. The women, without the aid of an interpreter, spoke about their backgrounds and their roles in promoting women’s rights, with heavy moderation from Swanee Hunt, who runs the Kennedy School’s Women and Public Policy Program. The speakers—Veronica Louis Renzi Tambura, Kamilia Ibrahim Kuku Kura, Buthiana Abbas Kambal Hassan, and Safaa Elagib Adam—came from different regions, including Darfur, Khartoum, and southern Sudan. Tambura, the first and most fluent of the speakers, spoke of how women obtained a 25-percent quota in Sudan?...
...couple of times already, and I’ve only been here one night.” But some students praised the increased thickness of the new mattresses. “The mattresses are really comfortable so that makes me care less about the width,” said Veronica T. Golin ’07. About a dozen students have already e-mailed CurrierWire—Currier’s e-mail open list—looking for an additional mattress or a larger replacement. “People are definitely more desperate for double beds lately...
...Subject e-mailed Ms. Veronica Stafford, whom he evidently met at "Tom's party" on Friday night. After several false starts, subject wrote that he thought they made a "real connection, not like a fake party-connection," and eventually invited Ms. Stafford to dinner that night, though he pointed out it was short notice and that she "probably already [had] other plans, but just in case you were free, you know, if you wanted to, or whatever...
What to do with a tragedy that’s not that tragic? Shakespeare’s “The Tragedy of King Richard the Second,” produced by Veronica T. Golin ’07 and Jason M. Lazarcheck ’08, which played at the Ex from April 27 to 29, is the story of a king brought down by his own poor decisions and inattention to important affairs of state. For all his flowery speeches bemoaning his fate and defending the divine right of kings, he comes across as more whiny than righteously...