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...this is the first comprehensive exhibition of his work ever held in America, or for that matter in Europe (it was previously shown in Naples and Madrid). It rounds off the series of shows by Spanish artists of the 17th and 18th centuries -- Murillo, Zurbaran, Velazquez, Goya and now lo Spagnoletto, "the Little Spaniard," as Ribera was known to his Italian admirers -- designed to close gaping holes in our collective art-historical knowledge, and to make concrete sense of the pictorial achievements of what imperial Spain called its siglo de oro, its golden century...

Author: /time Magazine | Title: Art: Baroque Futurist | 10/12/1992 | See Source »

...Italian church and expatriate Spanish grandees. He rapidly became the unchallenged star of Neapolitan painting and remained so until his death in 1652. Until recently, his art stayed in a sort of limbo; very few visitors to the Prado would ever turn out of the traffic stream headed for Velazquez to take a good look at the great Riberas, like The Martyrdom of Saint Philip, 1639, which hung in the corridor. This show will certainly change that, although it leaves Ribera himself still rather an indistinct figure...

Author: /time Magazine | Title: Art: Baroque Futurist | 10/12/1992 | See Source »

Circumstances varied. Nine-term Democratic Representative Stephen Solarz of New York, a senior member of the House Foreign Affairs Committee, lost to Nydia Velazquez, former secretary of the Department of Puerto Rican Community Affairs in the U.S. Solarz was partly the victim of a post-Census reapportionment that intentionally redrew his district to encourage Latino representation, which it did. But Solarz was surely hurt by his 743 overdrafts at the House bank. In Massachusetts, 127 bad checks helped do in Democrat Chester Atkins, who lost to a former county prosecutor...

Author: /time Magazine | Title: Revenge of The Angry Voter | 9/28/1992 | See Source »

...Liza M. Velazquez...

Author: NO WRITER ATTRIBUTED | Title: Congratulations to The Crimson's Class of 1992 | 6/3/1992 | See Source »

...mood of Hopper. You could make some kind of case for that excellent California painter Wayne Thiebaud as a Pop artist because he painted hot dogs and angel-food cakes; but artists have always put the food of their time in their still lifes, whether a jamon serrano by Velazquez or a baguette by Manet, and with Thiebaud the formal qualities of the paint now seem far more engaging than its reference to serial production...

Author: /time Magazine | Title: Art: Wallowing in The Mass Media Sea | 10/28/1991 | See Source »

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