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...restore your sense of wonder well worth a visit. In the years after Aksakov's death, the railroad magnate Savva Mamontov bought the estate and turned it into a colony for artists, writers and musicians, providing house space for Art Nouveau painter Mikhail Vrubel, Realist Ilya Repin, Impressionist Valentin Serov and landscape painter Vasili Polenov, among others. Both of Abramtsevo's historical periods are preserved - half of the manor house was kept in the Empire style of Aksakov's time, while the Mamontov section features fireplaces with colorful Art Nouveau tiles that Vrubel crafted in his on-site ceramics workshop...

Author: /time Magazine | Title: West Wing, East Wing | 3/28/2006 | See Source »

While Soviet news coverage of the Geneva summit was lively and thorough by past standards, the story was still carefully tailored for domestic audiences. Soviet TV's news team was led by Valentin Zorin, 61, the gray-haired, avuncular dean of Moscow's on-air political analysts. Zorin's background reports came principally from Georgi Arbatov, the Kremlin's top-ranking Americanologist. Like other Soviet journalists, Zorin adopted a tone of cautious optimism once the summit was under way, telling his audience of 150 million on the 9 o'clock nightly newscast Vremya (Time), "If the two leaders manage...

Author: /time Magazine | Title: How It Played in Pravda | 6/21/2005 | See Source »

Disgusting, snarls his revolutionist cellmate Valentin (Raul Julia), who is being tortured to betray his beliefs and his underground comrades. But perhaps he protests too much. For he encourages Luis to keep spinning out his scenario (which is visualized in wickedly parodistic flashbacks). Ultimately Valentin confesses that his revolutionary ardor is no less a romantic fancy than Luis' old movies are. Both are substitutes for the more immediate and commonplace forms of love that elude these fantasists of impossible perfection. And both surrender to a final irony: real life may be the cruelest of all illusions, a fantasy-film star...

Author: /time Magazine | Title: Cinema: Crosscutting Across Cultures | 4/12/2005 | See Source »

Would that Valentin had a touch of that strangeness. Played by relentlessly adorable Rodrigo Noya, 8-year-old Valentin lives in 1960s Buenos Airesdeserted by his mother, ignored by his philandering father and boarding with his cranky, sickly grandma. Eventually, he more or less invents a family to attach himself to. But this is not The 400 Blows. Director-writer Alejandro Agresti flat out denies the implicit--and, yes, existential--terrors of this child's desperately improvised life. Agresti's just out to give us a sentimental good time. Which some people, heaven help us, will have--while the rest...

Author: /time Magazine | Title: Movies: The Smallest Victims | 5/17/2004 | See Source »

...woman president is something we haven’t seen before,” Valentin said on the way out of the Forum. “She says only 50 percent of the country is represented—it’s a lot less than that when it’s only white old men out there...

Author: By Ben A. Black, CRIMSON STAFF WRITER | Title: Moseley Braun Keeps Poise on ‘Hardball’ | 11/18/2003 | See Source »

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