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Sexiest physical trait: Smile! and the usual...

Author: By FM Staff, CRIMSON STAFF WRITER | Title: Vinay A. Trivedi | 5/7/2010 | See Source »

...kind of change that we must have if we care about the world for our future. There’s no point in me trying to kill myself to try to save chimps or forests, or for anybody trying to save anything, if the same old business as usual continues. It’s got to change...

Author: By Kathryn C. Reed, CRIMSON STAFF WRITER | Title: 15 Questions with Jane Goodall | 5/7/2010 | See Source »

Though the Arts First audience will comprise a different crowd than BFA’s usual one—which normally consists of members of Harvard’s or Boston’s Latino community—current co-director Maricruz Rodriguez ’12 is excited for the opportunity to introduce BFA to a new group of spectators. “One of the reasons why people should come specifically to Arts First is because you’re exposed to a lot of different performance arts groups you don’t usually...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: Ballet Folklórico de Aztlán | 4/27/2010 | See Source »

...through the eyes of an aging star’s personal assistant. The book is one part Bette Davis in “All About Eve,” one part “American Psycho,” and several parts not up to Palahniuk’s usual storytelling ability...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: Palahniuk Goes for Shock, Ends Up with Shlock | 4/27/2010 | See Source »

Like most Palahniuk books, “Tell-All” will probably satisfy the core readership of his books, though even they may be disappointed by the lack of Chuck’s usual revelations. Since starting his career almost fifteen years ago, Palahniuk has been a champion of the groundbreaking and the avant-garde. Though “Tell-All” may have been groundbreaking 20 to 50 years ago, it seems unlikely that it will resonate as much with an audience today—one that feels it already knows too much about celebrities...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: Palahniuk Goes for Shock, Ends Up with Shlock | 4/27/2010 | See Source »

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