Word: unshaven
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...first glance, they make an unlikely pair. He's intense and weathered - the kind of guy who shows up to interviews untucked and unshaven. She's easygoing and glamorous (as a young girl, she dreamed of being a princess). But when it comes to making movies, Jean-Pierre Bacri and Agnès Jaoui are a perfect match: they act, they produce, and as a screenwriting team, they are French cinema's sharpest critics of the bourgeois élite, people whose relationships they portray as always on the brink of collapse and whose dinner parties combust into uncivil wars. Bacri...
Third-floor Currier resident Lauren R. Foote ’07, one of the students who reported the trespasser, described the suspect as a thin, tall, white male—unshaven and scruffy-looking—who wore a long black T-shirt and blue jeans...
...brilliant and seasoned site workers had hidden a huge Kerry Edwards banner behind the stage and many t-shirts and placards underneath. They ran around with unshaven faces, wearing t-shirts from past Kerry rallies and police-style radios strapped to their shoulders, making sure that every detail of the rally, from the flags to the rope line music, would be perfect. Like me, they had been up all night. Unlike me, they would catch flights that very afternoon to build the site of a rally in Raleigh, N.C., which drew 25,000 people four days later...
...first glance it’s hard to believe that this Converse-clad young man, face slightly unshaven and glasses perched, is the driver behind the wheel of the much-hyped indie. Hoge certainly chose a doosy for his first major foray into directing and writing, but as he sits down and begins to talk, it becomes apparent that he knew exactly what he was getting into. Having taught for a couple years in a juvenile hall system in Los Angeles, Hoge could base the movie’s titular protagonist on kids he knew personally...
...shouting “Stop the War!” and protesters of the 1960s beaten back by police, symbols of the American fight for justice and liberty. Cut to actor Philip Seymour Hoffman (The Talented Mr. Ripley, Magnolia), as he sits in front of his television set, scruffily unshaven, face frozen in a bored trance as he observes the protest footage and sighs, “I’ve always had an aversion to politics.” So begins director Donovan Leitch’s The Last Party, the third in a series of documentaries following supposedly...