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Word: underground (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

NOTES FROM UNDERGROUND, Moscow Theater for Young Spectators. Soviet audiences are no longer shocked by Dostoyevsky's long-banned philosophical ramble or, for that matter, by the full frontal nudity staged by director Kama Ginkas...

Author: /time Magazine | Title: A Soviet Sampler | 4/10/1989 | See Source »

...course an underground rock scene flourished. Concerts were often a clandestine affair, staged on the spur of the moment in out-of-the-way auditoriums. And despite official discouragement, a few groups like Time Machine, the first band to sing openly about social problems, and the Leningrad-based Akvarium managed to thrive...

Author: /time Magazine | Title: Music: Hot, Hot, Hot: Brigada S | 4/10/1989 | See Source »

...unauthorized concert disk put out last year by Melodiya, the country's sole record label. There is talk of a U.S. tour as well, possibly in June. "We're hoping to sign a few small contracts," Sukachev admits. Still, he says he wouldn't give up the band's underground years for anything. "Those years are our strength," he says. "We'd be nothing without them...

Author: /time Magazine | Title: Music: Hot, Hot, Hot: Brigada S | 4/10/1989 | See Source »

...nation that has always adored social satire, Mikhail Zhvanetsky, 55, is the undisputed comic laureate of glasnost. Once forced to circulate tapes of his routines underground, today Zhvanetsky plays thousand-seat arenas, appears on national television and counts Politburo member Alexander Yakovlev among his fans. To give readers a flavor of his comedic style, TIME asked Zhvanetsky to write a monologue about his trip to the U.S. last year...

Author: /time Magazine | Title: Show Business: Let Me Tell You . . . | 4/10/1989 | See Source »

...long-suppressed and now acclaimed production of Dostoyevsky's Notes from Underground at Moscow's Theater for Young Spectators, the withdrawn and embittered central character repeatedly pushes with all his might against the immovable proscenium arch at the side of the stage. The gesture is an apt visual metaphor not only for a melancholy nobody's passion to smash the barriers of loneliness but also for the yearning of the whole Moscow drama world to break down the confines of habit and tradition. Everywhere one goes in the theater these days, the same artistic self-criticism is heard: there...

Author: /time Magazine | Title: Theater: Voices From the Inner Depths | 4/10/1989 | See Source »

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