Word: underground
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Dates: during 1950-1959
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...next 20 years he worked as a Red labor organizer-a job that occasionally landed him in prison. In 1934, when Mao led the Red army in its famed, 6,000-mile Long March from southern Kiangsi to the caves of Yenan in northern China, Organizer Liu went underground, remained behind as a Communist agent in Kuomintang territory...
...trouble started when Grivas, now a lieutenant general and back in restless retirement in Athens, began to rumble that prospective Cypriot President Makarios was making "too many concessions to Britain and the Turks." In reply, Makarios expelled from his Cyprus Reconstruction Front Fotis Papafotis, 26, former underground leader who lost a hand fighting the British. Papafotis, Makarios charged, was involved with a Grivas-backed group who were plotting the murder of Makarios and 50 of his supporters. As proof, the Archbishop exhibited an intercepted "assassination list" and a letter he said Grivas had written to Papafotis, urging replacement of Makarios...
...Underground Welcome. Khrushchev was out at 7:47 a.m. to lead his party aboard the train to Manhattan. There, on a brisk, clear day among the skyscrapers, the tour began to lose its jovial bounciness. As a safety precaution, he got the official greeting in the dirty, cavenious incoming baggage room at Pennsylvania Station. For the next 45 hours, his hosts seemed to spend most of their energy trying to protect him from harm...
...talented young first novelist named H. L. (for Harold Louis) Humes last year produced an almost classic example of the ambitious book that tries to say too much. The Underground City (TIME, May 26, 1958) was at once a war novel, a treatise on right and wrong, an indictment of the human condition. Its 755 pages were too many and too tiring. Now, in less than one-quarter the wordage. Author Humes, 33, has produced a new book that gives off more significance than his first could even suggest...
World War II brought him a special kind of recognition he never aspired to, when he went down into London's underground as a war artist to do a series of air-raid "shelter drawings." These, unique in their shrouded, sallow-hued style, conveyed with Dantean impact the spectacle of humanity huddled in refuge, yet fated to stir again, to live and to work on. Londoners, who would have blanched at the sight of his statues, recognized themselves in his swaddled figures, and hailed him as one of their...