Word: ulyanov
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Vladimir Ilich Ulyanov, who used 160 pseudonyms, the most famous being Lenin, woke up at 10:30 a.m. on the day he was to die. About 18 months earlier, he had suffered a massive stroke and never fully recovered, so 10:30 was not so late for the old revolutionary to rise. He had some coffee, but it did not take, and he went back to bed. By evening Lenin was running a high fever, as Oxford historian Robert Service recounts in Lenin: A Biography. Lenin's Bolshevik buddy Nikolai Bukharin was there at the end: "When I ran into...
...CITY DESERVES TO BE called the mausoleum of Soviet communism, it is Ulyanovsk, the industrial center on the Volga where Vladimir Lenin, ne Ulyanov, was born in 1870. It contains a varied assortment of Lenin shrines, from his parents' apartments to his classroom to a modernistic museum complex on a bluff overlooking the river. The city is so resistant to political and economic reform that some Russians refer to it as a "communist preserve." It has been ruled since 1990, except for a brief interval, by its "Red Governor," Yuri Goryachev, who was once First Secretary of the region...
...Vladimir Ilyich Ulyanov (Lenin), Russian revolutionary, Soviet dictator...
...surprisingly, The Peace of Brest-Litovsk was suppressed for more than two decades. When it finally debuted in 1987, however, Soviet leader Mikhail Gorbachev attended the premiere; afterward he endorsed the play and embraced its leading actor, his friend Mikhail Ulyanov. One version has Gorbachev saying, "That is me. That is me." Playwright Mikhail Shatrov, 58, says that the actual words were more restrained but that Gorbachev openly drew parallels between Lenin's reluctant peace with imperial Germany and his own reform and retrenchment. Thus the staging of Shatrov's text became a political as well as an artistic event...
...works as more than a political curiosity. Staged by Robert Sturua of Soviet Georgia's Rustaveli Theater, which this month presented a striking King Lear at the Brooklyn Academy of Music in New York City, the show marks the U.S. debut of Moscow's venerable Vakhtangov Theater and of Ulyanov, its artistic director as well as its star. Although the bulky, brooding Ulyanov in no way resembles the vulpine Lenin, he and his troupe seem wholly at ease. Amid the symbolic flutters of cloth, abrupt bursts of music, caricatures of the old bourgeoisie and odd lighting shifts, they keep...