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Word: turned (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Think about automobile insurance, which is required in this state. The rates are exorbitantly high (8400-8600 a year) because the companies must be covered for the high risk cases. But the companies, in our free society, are allowed to turn anyone down for insurance that they want to. They turn down the kids and the poor. Only insurance companies that never pay up on damage insure these people. Think about how impossible it would be to clear up the legislation on Massachusetts's compulsory insurance...

Author: By John G. Short, | Title: In the Streets Cars | 12/10/1969 | See Source »

Dave Scanlon (190) may have his sophomore ups and downs, but Lee expects a good season from him. "Dave should turn out to be a very dependable performer." he said...

Author: NO WRITER ATTRIBUTED | Title: Matmen in Season Opener at Wesleyan; Loss of 3 Lettermen Slows Wrestlers | 12/6/1969 | See Source »

ORDINARILY in this country. Chekhov's works have been performed by actors who subscribe to Stanislavski's "method." a revolutionary approach to acting which developed around Chekhov's plays in turn-of-the-century Russia. Method actors have trained us to think of Chekhov plays as having quiet, detailed surfaces under which internalized explosions almost imperceptively crupt. In Moss's Three Sisters, this now-standard approach to the playwright is turned inside out (and must be, since Grotowski's views on acting are in practice, if not purpose, almost diametrically opposed to Stanislavski...

Author: By Frank Rich, | Title: The Theatregoer The Three Sisters at the Loeb through Dec. 13 | 12/6/1969 | See Source »

Working in this way, I found that the intuitive actor was more adaptable and artistically free with these techniques than some of the others who had had a lot of experience in the more traditional theatre. After all, to work under the impression that you turn yourself into another character when you're on stage for many years, and suddenly to be confronted with the simple notion that you are always you, on stage and off, is a frightening prospect...

Author: NO WRITER ATTRIBUTED | Title: Interview with Leland Moss Developing Direction at the Loeb | 12/5/1969 | See Source »

...film, an actor can do something without much physical projection and it can be compelling. On stage this is impossible, and a realization of this means going back to the original Greek idea of the actor's power, which in its turn is based on a certain dimension of ritual...

Author: NO WRITER ATTRIBUTED | Title: Interview with Leland Moss Developing Direction at the Loeb | 12/5/1969 | See Source »

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