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Word: true (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...true hard work never killed anybody, but I figure, why take the chance...

Author: /time Magazine | Title: The TIME Centennial News Quiz | 12/31/1999 | See Source »

...need not choose between these visions. Both are true. Both are untrue. What we need to do is wonder at how firmly this brief, incredibly fecund period set the terms of the cultural argument that would preoccupy the rest of the century. The shock of the new drew much of its reshaping, revolutionary force from frustration with outworn artistic conventions and had been gathering strength and energy out of repression and dismissal for at least 50 years...

Author: /time Magazine | Title: The Arts: 100 Years Of Attitude | 12/31/1999 | See Source »

Perhaps that's because the universalist desire to reform all culture, make everyone see in a new way, is dead. What's true of literature is true of all the arts now: there are readers of J.M. Coetzee's Disgrace, there are Michael Crichton's readers, and the twain don't meet. Except, possibly, theoretically in cyberspace. F. Scott Fitzgerald had it right: "Culture follows money." And the money--perhaps even the creative zeal--is now in the new media. A radically reshaped culture is beginning to be created there. We can already begin to see what the generation born...

Author: /time Magazine | Title: The Arts: 100 Years Of Attitude | 12/31/1999 | See Source »

...contemporaries advise us, "great in body...but not ungainly." He had a harsh voice, but his speech was always appropriate. His chroniclers lauded his ability to "appraise the true significance of events" and make good "the fickle promises of fortune." They also remarked that he was "too relentless to care though all might hate him." William the Conqueror was a man--or, more important, a monarch...

Author: /time Magazine | Title: 11th Century: William The Conqueror (c. 1027-1087) | 12/31/1999 | See Source »

...yourself back to a time before true mirrors. In Europe the art of painting had been lost to the ruthless destruction of barbarians. No Western man could see a real likeness of humankind upon a wall because no artist knew how to draw one. The pictures that adorned medieval churches--there was no secular painting--eschewed reality for decoration or dogma. Gilt-bedizened Madonnas with flat, staring eyes holding outsize infant Christs bespoke not man but the supernatural mystery of the faith...

Author: /time Magazine | Title: 14th Century: Giotto (c. 1267-1337) | 12/31/1999 | See Source »

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