Word: triptychs
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...gods and maharajahs gambol with busty dancing girls, rendered in golds, greens and russets by delicate, squirrel-tail brushes. But the standouts are the paintings of otherworldly subjects, works unlike any others produced in India at the time. Three Aspects of the Absolute, from 1823, is a startlingly modern triptych, with a plain gold panel to evoke the Absolute, followed by two others on which a holy man is depicted merging with the divine essence through yoga. Created by a Rajasthani artist named Bulaki, it jives uncannily with a contemporary aesthetic. The paint - real gold - hums with a depth...
...into the houses which it passes, and in their turn the houses throw themselves upon the motor bus and are blended with it." Carlo Carrà captured this energy in the kaleidoscopic What the Tram Told Me (1911), while Umberto Boccioni conveys the rush of rail travel in his triptych States of Mind (1911). The second painting in the series, Those Who Go, depicts giant dreaming heads swept along with fragmentary buildings, leaving faded gray figures marooned on the platform in the third panel, Those Who Stay...
...triptych like Three Studies for a Crucifixion from 1962, with its invertebrate lovers grappling in the center panel and its butchered carcass in the right, the body is the visible sign of the eternal devils of human nature, the dog beneath the skin that bares its fangs in war and in bed. What the eyes represent for most painters, the mouth was for Bacon, the locus of human identity. The mouth is what bites, suckles, and howls at the moon. By contrast, the eyes are likely to be missing entirely or smeared shut or obscured by a milky scrim...
...Picasso who first showed him the way. In the central panel of one of Bacon's works from the 1970s, Triptych--In Memory of George Dyer, a shadowy man stands near the landing of a darkened stairwell, turning a tiny key in a lock. That key is borrowed from an odd creature doing the same in several of Picasso's seaside pictures from the late 1920s, when he was flirting with Surrealism. Those elastic Picassos, with their biomorphic figures that are part human, part dirigible, part swollen breast or phallus, turned a key in Bacon. They showed...
...appreciating the gift of life,” Lepson writes.For Lepson, death is not the only form that dissolution between people can take. “The Poem of J” is placed between “Motet for Mom” and the elegiac triptych. The narrator remembers her past with the titular “J”—the things that made her angry, things that now seem petty—during an impromptu phone call after many years apart. In “Steps,” a changing relationship...