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...less hectic tracks showcase the neo-soul that the duo is best known for. “Who’s Gonna Save My Soul” is basically a mellow reprise of “Crazy,” with Cee-Lo wearily belting the titular question. Excellent album opener “Charity Case” adds female background vocals and a delicate funk beat to Cee-Lo’s admission of loneliness. “Even my shadow leaves me all alone at night,” he sings. The depressive song isn?...

Author: By Jeffrey W. Feldman, CRIMSON STAFF WRITER | Title: Gnarls Barkley | 4/3/2008 | See Source »

Jorma Elo’s “In On Blue,” on the other hand, was remarkable. Even on a titular level, it challenged the audience. The music was by Bernard Hermann, a composer who created numerous scores for Alfred Hitchcock films, and the lighting and costumes were overwhelmingly blue. The dancers jerked their arms and legs robotically. One ballerina even twitched perceptibly as she was laid on the stage floor...

Author: By Ama R. Francis, CONTRIBUTING WRITER | Title: Ballet Evolves in 'New' Show | 3/12/2008 | See Source »

...microwave and other appliance wires, stands next a print of cheap ceiling lights. “Fridge” shows us something we see every day, and “Light” something we would see every day, if we only looked up. The exhibition’s titular photograph shares a similar appeal. In “Long Life Cool White” the subjects are two oblong fluorescent bulbs hanging from a room’s ceiling on metal chains. Only the lights and the strings that turn them on are in focus; the workroom...

Author: By Anjali Motgi, CRIMSON STAFF WRITER | Title: Inside 'Long Life Cool White' | 3/7/2008 | See Source »

...excellent lead actor—preferably one who’s had some face time on HBO. Did Michael C. Hall creep you out more than a little on “Six Feet Under”? He’ll do that role one better as the titular serial killer on “Dexter.” Loved Mary-Louise Parker’s nervy energy in “Angels in America”? Wait until you see her in the pressure cooker that is “Weeds”!The latest in this cavalcade...

Author: By Allie T. Pape, CRIMSON STAFF WRITER | Title: 'Breaking Bad' and Character-Driven TV | 2/29/2008 | See Source »

...directed by the legendary Spike Jonze. Instead of his usual display of egotism, Kanye is barely onscreen at all. The video opens with a Mustang parking in the middle of the desert at dusk. As the red brake lights turn off, the song breaks into its titular refrain and Playboy model Rita G exits the car dressed in fur and large black sunglasses. She promptly strips down to her expensive lingerie, then lights her clothes on fire. With flames now at her back and Kanye belting his rap, Rita G glides back toward the car. With her four-inch heels...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: POPSCREEN: Kanye West | 2/22/2008 | See Source »

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