Word: tagliavini
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...their home, fed them spaghetti, baked veal and red wine. Tenor Galliano Masini, onetime member of New York's Metropolitan Opera Company, ran around the table, punctuating his protests with bars from Tosca and Carmen. Said he: "After Caruso's death they said I was the one. Tagliavini (see below') is a good tenor but light. I am disgusted. I want to sing." The Chicago Tribune's captious Critic Claudia Cassidy interviewed Basso Nicola Rossi Lemeni by telephone, had him sing a few bars of Lamentation of a Siberian Prisoner, wrote a piece comparing him with...
Arie di Arie di Opere (Ferruccio Tagliavini with the Sinfonica dell' E.I.A.R., Ugo Tansini conducting; Cetra, 6 sides). The new hero of the Met's Italian fans (TIME, Jan. 20) sings arias from six operas (Mignon, Tosca, Rigoletto, The Barber of Seville, Manon, Elisir d'Amore). The Italian tempi are perhaps a little languid for U.S. tastes, but Tagliavini's contralto-like pianissimi are wondrously lyrical. The imported Italian discs (which cost a whopping $3.25 each) are technically as good as most U.S. recordings. Performance: excellent...
...rest of the evening was spent in uneasy warfare between those who wanted to stop the show every time Tagliavini sang a note, and those who wanted to get on with the proceedings. Critics generally found Tagliavini a very good, if not yet great, tenor who used his lyric voice with natural grace and showed a warm feeling for character. Even the Herald Tribune's Virgil Thomson, usually the Met's sharpest critic, was impressed. He wrote: "He sings high and loud [and] does not gulp or gasp or gargle salt tears. . . . Not in a very long time...
...composer's creations and among all the works in the Mass form has been available heretofore only in an inferior and abridged Victor version by the Pennsylvania Bach Choir. In this Cetra recording of the Requiem a superb orchestra and tremendous chorus combines with such soloists as Ferrucio Tagliavini, thrilling young tenor who will soon appear with the Met, to produce an effect altogether superior to that of the American set. Particularly outstanding is the recording technique: the more than 120 voices and oversized orchestra performed the mass in a huge cathedral on the 150th anniversary of Mozart's death...