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...wavering synth line straight out of a 1980s disco and a drumbeat more propulsive than any found on “Andorra” introduce “Odessa,” and give listeners a very good hint at what Caribou is trying to accomplish with “Swim.” After years of balancing dream pop, noise, and spaced-out electronica, this is Caribou’s dance record...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Caribou | 4/20/2010 | See Source »

...originally conceived in 1901 as a celebration of warm weather and the end of the academic year. While the event has in the past included activities like mock bullfighting and circuses, this year, Slope Day will feature the R&B artist Drake and additional performances from musicians like synth pop band Francis & The Lights and Canadian rapper...

Author: By James K. Mcauley, CRIMSON STAFF WRITER | Title: Yardfest Countdown: Around the Ivies | 4/16/2010 | See Source »

...joint product is not as experimental or original as one might have hoped. The sole creative peak is “Sailing to Nowhere,” which takes a number of surprising turns, beginning by oscillating back and forth between two different riffs until a swell of cosmic synth noises emerges, climaxing in an explosion of strings and an electric guitar solo. The transient nature of “Sailing to Nowhere” makes it one of the most captivating songs on the album, and shows what other tracks could have become if the group had taken...

Author: By Matt E. Sachs, CRIMSON STAFF WRITER | Title: Broken Bells | 3/9/2010 | See Source »

...following track, and arguably the album’s best song, “On Melancholy Hill,” provides a rare moment where a developed storyline expands on the album’s themes. Albarn is pitch-perfect in his contribution to a gentle, wistful synth line and light drumming, singing, “Up on melancholy hill / There’s a plastic tree / Are you here with me? / Just looking out on the day / Of another dream.” Reality does not exist in this world where nature is “plastic?...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Gorillaz | 3/9/2010 | See Source »

...Wowee Zowee.” Though detractors label “Wowee” undiscerning and disjointed, it seems unlikely that many would advocate for the inclusion of just two of its tracks on a greatest hits album, especially if one of these is the vaguely unsettling, strings and synth-heavy “Fight this Generation.” Inexplicably, this is chosen to end the compilation, despite its resemblance to a horrible Verlaines parody, creepily swirling around itself without going much of anywhere...

Author: By Jessica R. Henderson, CRIMSON STAFF WRITER | Title: Pavement | 3/9/2010 | See Source »

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