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...cation.” We could also benefit from MIT’s computer-nerd skills, which have clearly paid off in terms of the institution’s web design and e-mail interface. Maybe their technicians could take a crack at the Stone Age-style Faculty of Arts and Sciences account, which has been known to black out after more than 15 emails accrue in an inbox. In return for these benefits, Harvard could provide a team of artists to rethink the “jailbreak chic” aesthetic of MIT’s campus...

Author: By The Crimson Staff | Title: Harvard Needs Books | 4/21/2010 | See Source »

...There’s a really big aesthetic shift between act one and act two, and I wanted to delve into the classic fairy book style to a more stark and darker tone. That’s what I see in the second act when everything gets destroyed—there’s a darker aesthetic,” she says...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Into the Woods | 4/20/2010 | See Source »

...Dream,” the standout track on “All Days Are Nights,” signifies what potential there is in Wainwright’s new style. Employing an uplifting chord progression in a refreshing major key, Wainwright warbles, “The dream has come and gone / The earth lumbers on / The dream is back in space / Back where it came from.” Striking a fantastic, wistful, and yet powerful tone, Wainwright here describes a kind of loss that avoids the lure of saccharine self-pity. His imagery, of an earth...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Rufus Wainwright | 4/20/2010 | See Source »

...while Shields’s decision to construct “Reality Hunger” in the style of the art he most values supplements the reader’s ability to grasp some of the more confusing propositions in the text, the book’s status as a “manifesto” is ultimately problematic, since it is unclear for what exactly “Reality Hunger” can be said to be a ‘manifesto.’ The term implies the creation of an innovative world view, philosophy, or theory?...

Author: By James K. Mcauley, CRIMSON STAFF WRITER | Title: Shield's Modernist Manifesto Arrives a Few Decades Too Late | 4/20/2010 | See Source »

Patrick Park, Wale, and Kid Cudi certainly each have their own styles and merits. Park’s gentle folk clearly sets itself apart from his hip-hop counterparts, although the latter two artists also differ vastly in style. Wale relies on flow and samples while Cudi lays down his own original, if less-innovative, beats. However, on Sunday all three artists proved incapable of consistently commanding attention, leaving this year’s Yardfest to be a rather stale and second-rate affair...

Author: By Chris R. Kingston and Alex C. Nunnelly, CRIMSON STAFF WRITERS | Title: Day or Nite, Yardfest Does Not Entertain | 4/20/2010 | See Source »

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