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...example, the Graduate School of Design, which receives 41 percent of its revenue from endowment income, has had to dramatically cut back on planned renovations—such as replacing the large windows in the studio area of Gund Hall—after this year’s endowment payout declined by 8 percent from the previous year, according to W. Kevin Cahill, the school’s facilities manager...

Author: By Stephanie B. Garlock, CRIMSON STAFF WRITER | Title: Reduce, Reuse, Research? | 5/27/2010 | See Source »

...love when he gets out of the studio and jumps into situations with ordinary people,” Reiff said. “He played ‘old time baseball’ on Long Island, he tried to reunite two former best friends that he met in Finland...

Author: By Julie R. Barzilay, CRIMSON STAFF WRITER | Title: The Conan We Knew | 5/27/2010 | See Source »

Lieberman owes much of her exposure to the influences that would inform her sculpture and video work to Amie Siegel, an artist and professor in VES. Her time as studio assistant to Alison Knowles—a Radcliffe artist-in-residence famous for her involvement in the Fluxus art movement of the 1960s alongside Marcel Duchamp and John Cage—helping to prepare lectures, participating in Fluxus performances and contributing to works exhibited in Potsdam’s Fluxus Museum, also impacted Lieberman’s work...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Rebecca Lieberman ’10 | 4/27/2010 | See Source »

...from the Andy Warhol Foundation. Her visual art has been shown at various venues, including the New York Gay and Lesbian Film Festival and the Los Angeles Gay and Lesbian Center; her writings have been published in numerous artistic journals. Currently she holds a position as a professor of Studio Art and Women’s Studies at the University of California, Irvine...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Spring 2010 Harvard Arts Medalist | 4/27/2010 | See Source »

...studio of Vi T. Vu ’10 is stacked with paintings. Vividly fluorescent animal and vegetal figures leap across dark backgrounds, multiplying in mirror images of each other. Look more closely, and strange themes begin to emerge: anthropomorphic shapes, images of violence and renewal, all come together in a series of intricately-articulated symbolic forms. All orders and variety are thrown together, but the composition is far from careless. Vu, has created her own, hard-to-catagorize, world...

Author: By Catherine A Morris, CRIMSON STAFF WRITER | Title: Vi Vu '10 | 4/27/2010 | See Source »

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