Word: studded
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Dates: during 1980-1989
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...their casts, reinjuring their legs.) At Tufts, rehabilitation after surgery includes therapy on a gaited treadmill that can be set from a walk to a hard gallop. After recovery, many of the animals return to racing; otherwise, they serve their owners lucratively as brood mares or by standing at stud...
...wears a diamond stud in one ear, loves to pub-crawl with his hometown "yobbos" (rowdy pals), dotes on heavy-metal rock and has even been known ) to play a lick or two. So it figures that last week Pat Cash would find a most untraditional way to celebrate when he became the first Australian in 16 years to win the men's singles crown at Wimbledon. After routing Ivan Lendl 7-6, 6-2, 7-5, Cash, 22, threw a ball into the crowd and then clambered up the packed grandstand to embrace his father Pat Cash Sr. Remarked...
...much of a choice," complains the now deceased founder of Buckeye Basin on his head-stone. Such is the comic dilemma of the town pariah, Cassie (Rosanna Arquette). After stabbing the village stud with a fork for loving and leaving her, Cassie is none too popular in her hometown. Having bungled suicide attempt after attempt, she resigns herself to a boring job and a life in limbo...
...irrepressible outcast (Rosanna Arquette), the sensitive wanderer (Eric Roberts) in search of Miz Right, the good-ole-girl barmaid (Mare Winningham), the ex-jock with itchy trousers (Jim Youngs). In her eye blink of a role, Winningham is a buoyant delight, and Youngs nicely fleshes out his cardboard stud, but everyone else goes under in a sea of mannerisms. Arquette brings a clangorous winsomeness to the sort of cracked-belle character that the young Katharine Hepburn portrayed so majestically in Morning Glory and Alice Adams. Rosanna grates; the film galls. If Nobody's Fool doesn't get on your nerves...
...real aliens of the book are the Owners, cut off from themselves. Yet hope glimmers. Hooper's voyeuristic passion is transformed when he brings his nymphet back from the O-Zone and she proves intelligent and sensitive. Moura gets to unmask her stud, thereby changing loneliness into at least a healthy lust. Masks are also important to Theroux's satiric intentions. "You can get away with anything in a mask," says Hooper, as he watches a woman strutting in the latest fashion: a face covering, some chains, sandals and nothing else...