Word: storyboarding
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That is, it is filled with blood and boobies and shot using the gorgeous black-and-white line drawings of the comic book as a storyboard. The sex is typical Hollywood fare, but the violence, heavy on dismemberment—especially of male genitalia—and decapitation, brings the film dangerously close to NC-17 territory...
That is, it is filled with blood and boobies and shot using the gorgeous black-and-white line drawings of the comic book as a storyboard. The sex is typical Hollywood fare, but the violence, heavy on dismemberment—especially of male genitalia—and decapitation, brings the film dangerously close to NC-17 territory...
...edited by Professor Emeritus and first director of the Carpenter Center, Eduard F. Sekler—places importance not to the building’s original forms, but on the process of the Center’s conception. It is from this document that Huyghe has cleverly derived the storyboard for his own project. As his film further solidifies the Carpenter Center’s dual role as a protagonist for art as well as a place for its making, the building provides a hinge upon which Huyghe can collapse 40 years of Harvard’s tenuous history with...
...Pekar: I was influenced by autobiographical writers like Henry Miller, and I had actually done some autobiographical prose. But I just thought that comics were like virgin territory. There was so much to be done. It exited me. I couldn't draw very well. I could write scripts and storyboard style using stick figures and balloons and captions. So I decided I would do that and see if I could maybe come up with an artist. And I was paying attention to what the underground cartoonists were doing in the sixties and the early seventies. Crumb moved out of Cleveland...
...late 1920s came the movement's narrative period, in which Magritte and Salvador Dali excelled. Magritte's 1926 The Threatened Murderer could practically serve as a film storyboard. It depicts two menacing life-sized detectives - wearing Magritte bowler hats, to be sure - waiting in hiding to pounce on a respectable-looking murderer still hovering near the nude body of his female victim. The picture seems spookily sympathetic to the murderer. The Surrealists, in fact, sometimes admired criminals as creative rule breakers...