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...love old analog synthesizers - like the Mellotron, which tries to imitate a human sound, an acoustic sound that's a bit wrong somehow," says Goldfrapp. They even break their own rule and plug in a guitar for the first time on the Marc Bolan glam-rock stomp of Ooh La La and Satin Chic. Through all three records, though, it is Goldfrapp's voice that is most beguiling. At moments it recalls the whispered seduction of Marlene Dietrich, then eases up the range to Kate Bush or some operatic diva, and on occasion even morphs completely into synthesizer effect. "Ultimately...

Author: /time Magazine | Title: The Siren's Call | 8/21/2005 | See Source »

Musically, West took the extraordinary risk of fiddling with his sound by asking Jon Brion, known mostly for his collaborations with the talented but flaky Fiona Apple, to co-produce. Lyrically, he continues to stomp taboos and create a witty catalog of his schizophrenia. If that makes him sound like Eminem, it's worth noting that West is usually incorrigible like a puppy, not a pit bull. "His music is about being human," says West's obviously biased mother Donda, who recently retired from her post as chair of the English department at Chicago State University. "It's like Walt...

Author: /time Magazine | Title: Why You Can't Ignore Kanye | 8/21/2005 | See Source »

Monster-movie parables were the Pop Art of the early nuclear age. Japan got its cinematic revenge for the A-bomb with the story of a prehistoric monster (called Gojira at home, Godzilla abroad), its eon-long sleep disturbed by an A-blast, that rises from the depths to stomp on Tokyo. In dozens of sequels, the beast devolved into a toy or a clown. But here, just nine years after Hiroshima, Gojira is a political metaphor that roars majestically to life...

Author: /time Magazine | Title: 6 Best Sea Monster DVDs Ever | 6/19/2005 | See Source »

...hands, creating a varied and loud beat while pretending to be at a restaurant. When dancers dressed as waitresses clear their places, grabbing the “instruments” away, the drummers just pound on the tables. Although the idea may seem reminiscent of the hit broadways show Stomp, the interspersion of this scene within the rest of the performance creates a show-stopping theatricality that sticks in the mind...

Author: By Cara B. Eisenpress, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Urban Takes Center Stage | 4/18/2005 | See Source »

...don’t like the way that the President and Corporation are leading Harvard—and they are unable to persuade them to their views—they are always free to work elsewhere. And those who think that the answer to an issue is to stomp out of a meeting only demonstrate their failure as academics and intellectuals and should be invited to leave. Enough of this disgraceful public bickering by teachers who are expected to know better...

Author: NO WRITER ATTRIBUTED | Title: Summers, The Faculty, And Harvard's Image | 3/21/2005 | See Source »

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