Word: steppenwolf
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...been so much a part of public life, that a feisty, populist stage community would emerge sooner or later. And sure enough, over the past decade, it has, with at least half a dozen companies elbowing their way into national prominence and the best known of them, the Steppenwolf collective, capturing a 1985 Tony Award as the nation's best regional theater. While much of the rest of the American theater seems overrefined, elite and abstract, the Chicago troupes have built an enthusiastic mainstream audience for what many of the artists characterize as "rock-'n'-roll theater," rough-edged, noisy...
...have built back home. Having savored the East and West coasts, they insist on returning to the heartland. Their commitment is yielding a season any city might envy. Last week Danny Glover, the busiest black actor in Hollywood (The Color Purple, Witness, Silverado), made his Chicago stage debut at Steppenwolf's intimate--and perforce uncommercial--211- seat space in Athol Fugard's A Lesson from Aloes. A few blocks away, William Peterson, star of the film thriller To Live and Die in L.A., has rejoined the funky, avant-garde Remains Theater in a portrayal of brainwashing, Days and Nights Within...
...Chicago influence continues to spread. Steppenwolf is now represented on Broadway by an uneven but crowd-pleasing, hyperkinetic production of Pinter's The Caretaker, directed by John Malkovich, who was a 1985 Oscar nominee for his supporting role in Places in the Heart. Steppenwolf Artistic Director Gary Sinise will leave the cast March 1 to restage Lyle Kessler's Orphans, another past Steppenwolf venture, in London with a cast featuring Albert Finney. Meanwhile, Sinise, Malkovich and Peterson have all formed film- production companies. Also active in Hollywood is the first voice from the new Chicago theater to emerge into national...
Energy−atomic, unharnessed, virulent−abounds in Chicago's Steppenwolf Theater Company revival of Balm in Gilead, the Lanford Wilson dope opera that was first produced in 1965. The set may depict a grungy, all-night coffee shop on Manhattan's Upper West Side, but it soon takes on the sulfurous glow of the lower depths: a rush-hour subway car, say, some time during World War III. Junkies, hookers, drag queens, derelicts, ganefs and hit men rub up against Joe (Danton Stone) and Darlene (Laurie Metcalf), a couple too amiable or dense to survive the Nighttown...
Stage-managing the zoo-parade is a strung-out addict named Dopey (Gary Sinise), who looks and acts like a guerrilla refugee from the Twilight Zone. Sinise is one of the founders of Steppenwolf, an admirable community of switch-hitting theater folk in business for a decade and lately receiving wider acclaim for their Manhattan transfers of Sam Shepard's True West and C.P. Taylor's And a Nightingale Sang ... The director of Balm in Gilead is John Malkovich, who now seems on the springboard to stardom with his roles in Broadway's Death of a Salesman...