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Word: steinbeck (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...then read the next chapter"), and if his pupils expressed curiosity about a topic, he was apt to get carried away. He assigned some strange themes (sample topic, taken from Green Pastures: "Even bein' God ain't no bed of roses"). He also read parts of John Steinbeck's Of Mice and Men "so that the kids could learn this lesson, that everybody in this world needs somebody else...

Author: /time Magazine | Title: Education: The Enthusiast | 4/9/1956 | See Source »

...since he had the price of a haircut. Down-and-outer that he is, he still has enough fundamental decency in him to be shocked by the human derelicts who do most of the work of the circus. Here is a collection of winos as far removed from John Steinbeck's amiable guzzlers as Skid Row is from café society, and much more believable. Sick, filthy and brutal, they see in the circus a last chance to earn the price of a bottle. White or black, they are driven by a tough core of boss...

Author: /time Magazine | Title: Books: A Day at the Circus | 1/16/1956 | See Source »

...JOHN STEINBECK Sag Harbor...

Author: /time Magazine | Title: Letters, Dec. 26, 1955 | 12/26/1955 | See Source »

Pipe Dream (music by Richard Rodgers; book and lyrics by Oscar Hammerstein II). Always anxious not to repeat themselves, Rodgers & Hammerstein have turned in Pipe Dream to the flophouse and bordello set of John Steinbeck's Cannery Row. When not cavorting, the bims and bums heave and push at a constantly stalled romance between a popular young scientist and a pretty waif befriended by a madam. To get Doc a microscope, Cannery Row stages a raffle and fancy-dress brawl, and when the lovelorn heroine takes up despairing residence inside a boiler, they have at the lovelorn hero to fetch...

Author: /time Magazine | Title: The Theater: Rodger and Hammerstein's Pipe Dream | 12/12/1955 | See Source »

...intrigue and intensity, Viva Zapata retells the parable-like story of the Mexican peasants' struggle against a tyrannical government in the early years of this country. Given this plot, the film might have emerged as either a wild, bloodletting Western or a saccharine treatment of patriotic bugaboo. But John Steinbeck carefully avoided both in a script that director Elia Kazan has bandled with magic. His art is obvious in the charactarization of Zapata, heroically played by Marlon Brando...

Author: By Cliff F. Thompson, | Title: Viva Zapata | 11/10/1955 | See Source »

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