Word: standard
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Dates: during 1930-1939
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...about the collection of Straussiana that the late Railroad Tycoon Paul Lowenberg left to the Library of Congress (TIME, Aug. 7), Columbia researchers last spring dug up five lost dances by Vienna's Waltz King. Well uncorked by Conductor Barlow, they are up to Strauss's champagne standard...
...Powell is back after a year's illness with his quizzical eyebrows, scotch and sodas, and gift for repartee quite intact. Unhappily, Dashfell Hammett's plot gives Mr. Powell somewhat less support than his hospital bed and consequently the film fails to live up to the previous Thin Man standard. However, Myrna Loy and Asta are around too Lot to mention Nick Charles, Jr. and they combine their talents with a capable cast to create a better than average photoplay...
...discouraged from marrying native women and no social ostracism came to them or their half-caste children. Moreover, the Dutch have scrupulously refused to allow the slightest tampering with the natives' moral code, even going so far as to bar missionaries in some islands. But the native living standard is little, if any, higher than in similar British colonies. If the Dutch have experienced fewer revolts in The Indies than the British have in India, it is largely because the natives of the Indies are by & large more indolent. Besides, the fact that they are split among more than...
...Once gouty always gouty" is an old medical maxim, yet doctors believe that clean living and plenty of outdoor exercise can reduce attacks to mere demonstrations in force. Standard treatment, besides wrapping the throbbing foot in cotton wool, is a diet with plenty of water, and strangely enough, fat, especially fresh butter. Many doctors also rely on injections of colchicine (from the root of the autumn crocus) to relieve the agonizing pain, and cinchophen (a complicated synthetic acid) to promote uric acid elimination...
...boards. Not very attractive material, but the French don't seem to worry about the superficial aesthetics of their pictures. They just brush up some sure-fire actors, plaster them with depressing make-up, and let the cameras grind. In the really good French films, they create an aesthetic standard all their own. This standard, grim and gory, vaguely reminiscent of some wind-swept parts of Wagner, is like a bucketful of cold water when it hits an American audience bottle-fed on the soothing cream of Hollywood...